Scanners

    Scanners
    1981

    Synopsis

    After a man with extraordinary—and frighteningly destructive—telepathic abilities is nabbed by agents from a mysterious rogue corporation, he discovers he is far from the only possessor of such strange powers, and that some of the other “scanners” have their minds set on world domination, while others are trying to stop them.

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    Cast

    • Jennifer O'NeillKim Obrist
    • Stephen LackCameron Vale
    • Patrick McGoohanDr. Paul Ruth
    • Lawrence DaneBraedon Keller
    • Michael IronsideDarryl Revok
    • Robert A. SilvermanBenjamin Pierce
    • Lee BrokerSecurity One
    • Mavor MooreTrevellyan
    • Adam LudwigArno Crostic
    • Murray CruchleyProgrammer 1

    Recommendations

    • 80

      Time

      Cronenberg delivers.
    • 80

      Variety

      Scanners offers at least one literally eye-popping moment and another that can only be called mind-blowing.
    • 75

      TV Guide Magazine

      Scanners is a memorable and absorbing genre entertainment.
    • 63

      Boston Globe

      The film is more interesting as a phenomenon than as a movie. [27 Feb 1981]
    • 60

      Chicago Reader

      One of the most technically proficient of David Cronenberg's early gnawing, Canadian-made horror movies, though it lacks both the logic and the queasy sexual subtext that made his still earlier work - "Rabid," "They Came From Within" - so memorably revolting.
    • 60

      The New York Times

      Unfortunately the plot thickens so rapidly and so lumpily that one very soon loses interest in spite of the quite stunning and gory special effects.
    • 50

      Chicago Sun-Times

      Scanners is a new horror film made with enough craft and skill that it could have been very good, if it could find a way to make us care about it.
    • 50

      The Globe and Mail (Toronto)

      The larger budget has given Scanners a high-gloss Hollywood look, the editing is occasionally elegant and the special effects, which consist mostly of imaginative ways of turning actors into meat, provoke from the audience the desired response ("Oh, yuk]"), but he is careful to keep the violence within currently accepted boundaries. [19 Jan 1981]

    Loved by

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