48 Hrs.

    48 Hrs.
    1982

    Synopsis

    A hard-nosed cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him, in order to track down a killer.

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    Cast

    • Nick NolteJack Cates
    • Eddie MurphyReggie Hammond
    • Annette O'TooleElaine
    • Frank McRaeHaden
    • James RemarAlbert Ganz
    • David Patrick KellyLuther
    • Sonny LandhamBilly Bear
    • Brion JamesBen Kehoe
    • Kerry ShermanRosalie, Hostage Girl
    • Jonathan BanksAlgren

    Recommendations

    • 88

      Chicago Sun-Times

      What makes the movie special is how it's made. Nolte and Murphy are good, and their dialogue is good, too - quirky and funny.
    • 88

      TV Guide Magazine

      Together Cates and Hammond take a thrill-a-minute trip through the San Francisco underworld and along the way develop one of the 1980s' more interesting cinematic buddy pairings.
    • 80

      Empire

      That the fact they come to appreciate one other, the grudging respect of a million clichés, feels so satisfyingly, shows just how successful the film is.
    • 80

      The New York Times

      Walter Hill, the director of such beautiful but stilted tough guy movies as ''The Warriors'' and ''The Long Riders,'' has attempted something very different in 48 Hours a male-buddy action film that's positively witty and warm-hearted compared with his other work.
    • 75

      The Globe and Mail (Toronto)

      A quick and clever thriller as nasty as a piece of shrapnel snapping the sound barrier, 48 Hrs. is as violent as it is funny. It is very funny. [03 Dec 1982]
    • 70

      Chicago Reader

      The film is still an entertaining and invigorating thriller, with a structure and some curious sexual overtones that suggest Howard Hawks's "A Girl in Every Port."
    • 70

      Variety

      48Hrs. is a very efficient action entertainment which serves as a showy motion picture debut for Eddie Murphy.
    • 40

      Time

      Neither jokes nor fast, flashy action can completely distract audiences from the failure to establish an authentic, rather than a purely conventional connection between Nolte and Murphy.

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