Gandhi

    Gandhi
    1982

    Synopsis

    In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.

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    Cast

    • Ben KingsleyMahatma Gandhi
    • Candice BergenMargaret Bourke-White
    • Edward FoxGeneral Dyer
    • John GielgudLord Irwin
    • Trevor HowardJudge Broomfield
    • John MillsLord Chelmsford
    • Rohini HattangadiKasturba Gandhi
    • Martin SheenVince Walker
    • Ian CharlesonReverend Charlie Andrews
    • Harsh NayyarNathuram Godse

    Recommendations

    • 100

      Chicago Sun-Times

      What is important about this film is not that it serves as a history lesson (although it does) but that, at a time when the threat of nuclear holocaust hangs ominously in the air, it reminds us that we are, after all, human, and thus capable of the most extraordinary and wonderful achievements, simply through the use of our imagination, our will, and our sense of right.
    • 100

      The Telegraph

      Attenborough's stately film is in every sense of the word an epic and Ben Kingsley is superb as Mahatma Ghandi, aging as he does 50 years during the three-hour film, and transforming from dapper young lawyer to loin-cloth wearing ascetic.
    • 100

      Variety

      Once in a long while a motion picture so eloquently expressive and technically exquisite comes along that one is tempted to hail it as being near perfect. Such a film is Gandhi.
    • 90

      The Guardian

      With the help of his cinematographers, Billy Williams and Ronnie Taylor, Attenborough has produced a very beautiful-looking movie that is maybe a little too seductive for its own good. But Attenborough shows once again his skill in managing the big set-piece.
    • 90

      Slate

      Yes, Gandhi is a hagiography and not a nuanced, darkly shaded, or even very convincing portrait of an ambitious and deeply strange man. And as an account of the muddled, messy origins of Indian independence, the film is guilty of historical malpractice. But taken as a black-and-white morality play, Gandhi is unmatched. Simplifications and all, this is the movie my parents wanted me to see as a child—and it's the movie I'd want my own (purely theoretical) children to see as well.
    • 90

      Time Out

      Of course the film raises more questions than it comes near to answering, but its faults rather pale beside the epic nature of its theme, and Kingsley's performance in the central role is outstanding.
    • 80

      The New York Times

      Neither Mr. Attenborough nor John Briley, who wrote the screenplay, are particularly adventurous filmmakers. Yet in some ways their almost obsessively middle-brow approach—their fondness for the gestures of conventional biographical cinema—seems self-effacing in a fashion suitable to the subject. Since Roberto Rossellini is not around to examine Gandhi in a film that would itself reflect the rigorous self-denial of the man, this very ordinary style is probably best.
    • 80

      Empire

      Grand in scope, the best thing here is still Sir Ben Kingsley's central performance; the film will always deserve to be seen for this alone.

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