A View to a Kill

    A View to a Kill
    1985

    Synopsis

    A newly-developed microchip designed by Zorin Industries for the British Government that can survive the electromagnetic radiation caused by a nuclear explosion has landed in the hands of the KGB. James Bond must find out how and why. His suspicions soon lead him to big industry leader Max Zorin who forms a plan to destroy his only competition in Silicon Valley by triggering a massive earthquake in the San Francisco Bay.

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    Cast

    • Roger MooreJames Bond
    • Tanya RobertsStacey Sutton
    • Christopher WalkenMax Zorin
    • Grace JonesMay Day
    • Patrick MacneeTibbett
    • Patrick BauchauScarpine
    • David YipChuck Lee
    • Fiona FullertonPola Ivanova
    • Manning RedwoodBob Conley
    • Alison DoodyJenny Flex

    Recommendations

    • 70

      IGN

      I was at least able to follow the plot (which is not to say it wasn't as ludicrous as any Bond film -- just that I could follow it). But most of all this movie has camp value -- it's fun to sit there and make fun of every last detail, and that redeems it quite a bit.
    • 67

      IndieWire

      Beyond Walken and Jones’ considerable contributions, A View to a Kill also contains a robust assortment of action sequences.
    • 63

      ReelViews

      Even though Moore sleepwalks his way through the part, making it apparent that he should have departed two films ago, and Tanya Roberts can't act to save her life (although she certainly can scream), we're back to a more conventional, straightforward Bond than the convoluted mess of the previous movie.
    • 60

      Empire

      Christopher Walken sleepwalks his way through playing smarmy Nazi geneticist Zorin, where you would think he would have a ball hamming it up as a Bond villain. Indeed, it is a rare moment when Grace Jones makes the biggest impression as an Amazonian (naturally) henchman called May Day.
    • 50

      Variety

      This jokey tone couldn’t be more different from the relative self-seriousness of helmer John Glen’s first 007 directing effort, For Your Eyes Only, and frankly, I yearn for more of that class.
    • 40

      The New York Times

      As lavishly escapist as they are, the latest James Bond films have become strenuous to watch, now that the business of maintaining Bond's casual savoir-faire looks like such a monumental chore.
    • 40

      New York Daily News

      As for Bond’s glib wit, which has been running down lately, the screenwriters haven’t solved that problem. Some of his double entendres are older than Moore and one of them had to be used twice.
    • 40

      TV Guide Magazine

      Directed by John Glen (For Your Eyes Only), this movie has all the standard Bond components--beautiful women, picturesque locales, thrilling chases--but the time-tested formula is more than a little threadbare here. Moreover, Walken doesn't have the lines, the strength, the presence, or the dastardliness required to be a top-notch Bond adversary.

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