A Room with a View

4.25
    A Room with a View
    1986

    Synopsis

    When Lucy Honeychurch and chaperon Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy's life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans?

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    Cast

    • Helena Bonham CarterLucy Honeychurch
    • Julian SandsGeorge Emerson
    • Maggie SmithCharlotte Bartlett
    • Denholm ElliottMr. Emerson
    • Daniel Day-LewisCecil Vyse
    • Simon CallowThe Reverend Mr. Beebe
    • Rosemary LeachMrs. Honeychurch
    • Rupert GravesFreddy Honeychurch
    • Patrick GodfreyThe Reverend Mr. Eager
    • Judi DenchEleanor Lavish

    Recommendations

    • 100

      Chicago Tribune

      More than a great love story. It's both a lighthearted and deeply impassioned inspirational lesson about life. [4 April 1986]
    • 100

      Chicago Sun-Times

      A Room with a View enjoys its storytelling so much that I enjoyed the very process of it. The story moved slowly, it seemed, for the same reason you try to make ice cream last: because it's so good.
    • 100

      Entertainment Weekly

      A movie with exquisite period detail. [8 Apr 1994]
    • 90

      Time

      Two cheers, at least, for permitting the past to appear not as a stern lesson but as a delicious irrelevance. [10 Mar 1986]
    • 90

      Variety

      Distinguished by superb ensemble acting, intelligent writing and stunning design.
    • 90

      Film.com

      Perhaps the primary reason A Room With a View is so involving is that Ivory has cast the film perfectly, and given each of the actors ample room to breathe. Even the characters you're not supposed to like are allowed their moments of vulnerable humanity.
    • 80

      TV Guide Magazine

      It's hard to believe A Room With a View cost so little; the costumes and sets are dazzling and the acting is superb--from two-time Oscar-winner Smith to the smallest role, there's not a false note.
    • 70

      Wall Street Journal

      It's all rather amusing, but after awhile you tire of all the perfect little nuances about characters who seem like prototypes for a certain type of Victorian novel. [6 Mar 1986, p.23(E)]

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