Light of Day

    Light of Day
    1987

    Synopsis

    Cleveland siblings rise with a rock band while coping with personal problems.

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    Cast

    • Michael J. FoxJoe Rasnick
    • Gena RowlandsJanette Rasnick
    • Joan JettPatti Rasnick
    • Michael McKeanBu Montgomery
    • Thomas G. WaitesSmittie
    • Cherry JonesCindy Montgomery
    • Michael DolanGene Bodine
    • Paul J. HarkinsBilly Tettore
    • Billy L. SullivanBenji Rasnick
    • Jason MillerBenjamin Rasnick

    Recommendations

    • 88

      Chicago Sun-Times

      This is a family drama, all right - but not one of those neat docudramas in which every character comes attached to a fashionable problem, and all the problems are solved in the same happy ending. The family in Light of Day is more like your average, everyday, unhappy family in which the biggest problem is that some of the members quite simply hate each other.
    • 80

      Time Out

      The cast make the most of an intelligent script, with Rowlands and (especially) Jett providing most of the emotional punch. They create a powerful feeling of real lives being lived and lost.
    • 60

      The New York Times

      As in Blue Collar and Hardcore, Mr. Schrader shows himself capable of launching the action in a powerhouse style. Once again, that forcefulness deteriorates as the film progresses.
    • 60

      Los Angeles Times

      Light of Day is a sympathetic, intelligent movie, with one great performance, but it suffers from the malaise rock 'n' roll is supposed to cure: inhibitions, a lack of spontaneity. [06 Feb 1987, p.4]
    • 50

      Variety

      Despite the over-the-edge quality of her character, Rowlands makes even the most ludicrous lines seem feasible. Fox is basically miscast as the good-natured brother who idolizes his sister and tries to cover for her. Jett looks the part and even manages to hit the mark from time to time, but for every hit there’s a miss.
    • 50

      Washington Post

      Light of Day is crippled by its confused intentions, a crazy quilt of the good, the bad and the ugly.
    • 50

      Washington Post

      For the most part, American movies concern the middle class, console the poor and celebrate the rich, and Schrader tried to pay blue-collar culture its due. He may have worked an honest day, but he didn't come up with an honest drama.
    • 50

      Miami Herald

      A combination rock-and-roll tearjerker and domestic drama. It is gloomy, boring and sentimental. [06 Feb 1987, p.C5]