The Last Boy Scout

    The Last Boy Scout
    1991

    Synopsis

    When the girl that detective Joe Hallenback is protecting gets murdered, the boyfriend of the murdered girl attempts to investigate and solve the case. What they discover is that there is deep seated corruption going on between a crooked politician and the owner of a pro football team.

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    Cast

    • Bruce WillisJoe Hallenbeck
    • Damon WayansJames Alexander 'Jimmy' Dix
    • Chelsea FieldSarah Hallenbeck
    • Noble WillinghamSheldon Marcone
    • Taylor NegronMilo
    • Danielle HarrisDarian Hallenbeck
    • Halle BerryCory
    • Bruce McGillMike Matthews
    • Badja DjolaAlley Thug
    • Kim CoatesChet

    Recommendations

    • 83

      Entertainment Weekly

      The Last Boy Scout is a guilty pleasure by any standard, but I’ve seen plenty of guilt-free movies lately that aren’t this much fun.
    • 75

      Chicago Sun-Times

      The Last Boy Scout is a superb example of what it is: a glossy, skillful, cynical, smart, utterly corrupt and vilely misogynistic action thriller. To give it a negative review would be dishonest, because it is such a skillful and well-crafted movie.
    • 60

      Empire

      This is a movie for the boys who like watching men being real men - cursing, shooting and fighting - and anyone who likes this kind of wham-bam entertainment will certainly get more than their money's worth.
    • 60

      The New York Times

      Mr. Scott directs the film as if he were trying to win a prize for demolishing a building in record time. The opening is good: stylish video images of a night football game played in a torrential rain, climaxed by the only scene in the film that has legitimate shock. After that, the brutality and the pace don't slacken, but interest does.
    • 50

      Time Out

      Despite the testosterone-charged violence and jaw-dropping sexism, the tone is one of self-conscious excess - a strategy which constantly undercuts the film's celebration of male bonding conventions.
    • 50

      TV Guide Magazine

      The story is beholden to the trendy steroid-and-TV world view: pump it up and cut it fast. Still, the dialogue, while fitfully glib, is wry and engaging, like a profane Raymond Chandler on speed. No one acts (in the Stanislavsky sense, anyway) but all perform well.
    • 50

      Variety

      There’s really nothing special about this entertaining if mindless shoot-’em-up other than an ample supply of amusing juvenile put-downs and elaborate action sequences.
    • 40

      Austin Chronicle

      Producer Joel Silver and Willis keep trying to remake Die Hard. This time they call in Top Gun director Scott. The result is mildly interesting, but there are so many weird and gratuitous scenes of insane violence that the effect is drained of impact.

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