Synopsis
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
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Cast
- Tom CruiseChief John Anderton [Pre-Crime]
- Samantha MortonAgatha [Pre-Cog Chamber]
- Max von SydowDirector Lamar Burgess [Pre-Crime]
- Colin FarrellAgent Danny Witwer [FBI]
- Kathryn MorrisLara Clarke
- Steve HarrisJad [Pre-Crime]
- Neal McDonoughFletcher [Pre-Crime]
- Patrick KilpatrickKnott [Pre-Crime]
- Jessica CapshawEvanna [Pre-Crime]
- Daniel LondonWally the Caretaker [Pre-Cog Chamber]
- 100
San Francisco Chronicle
This is the kind of pure entertainment that, in its fullness and generosity, feels almost classic. - 100
Chicago Tribune
May show both director and star working at their professional peaks, but I don't think it's as good as that underappreciated masterwork "A.I." It's not as resonant and daring, not as full of magic and marvel. Spielberg stretches himself technically here but not emotionally. - 90
Time
Spielberg's sharpest, brawniest, most bustling entertainment since "Raiders of the Lost Ark" and the finest of the season's action epics. - 90
Newsweek
Ferociously intense, furiously kinetic, it’s expressionist film noir science fiction that, like all good sci-fi, peers into the future to shed light on the present. - 90
The A.V. Club
Few directors are capable of marrying ideas and entertainment—one is often sacrificed for the other—but Spielberg peppers one gripping action setpiece after another with trenchant details about a near-future robbed of the most basic freedoms and privacy. - 80
Washington Post
Spielberg takes assured control. In his hands, Minority Report is a classy, chilly quasi-Hitchcockian affair. - 75
Philadelphia Inquirer
Taut entertainment that juggles brainy ideas about perception, predetermination and free will - and drops things in a messy third act where the vintage noir gets bathed in a bit too much Spielbergian glow. - 75
Boston Globe
Cruise will never be a master thespian, but there's no one better at putting across the charisma of control, and the opening sequence of ''Report'' is an astonishingly fluid demonstration of his gifts.
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