Reality

    Reality
    2012

    Synopsis

    A dark comedy centering on the lives of a Neapolitan based family whose father, a fish merchant, is so infatuated with the reality TV show "Grande Fratello" (the Italian version of "Big Brother") he starts living his life as if he were on it.

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      Cast

      • Aniello ArenaLuciano
      • Loredana SimioliMaria
      • Nando PaoneMichele
      • Graziella MarinaMamma di Luciano
      • Nello IorioMassimone
      • Nunzia SchianoZia Nunzia
      • Rosaria D'UrsoZia Rosaria
      • Giuseppina CervizziGiusy
      • Claudia GeriniPresentatrice Grande Fratello
      • Raffaele FerranteEnzo

      Recommendations

      • 91

        IndieWire

        The reality-show aesthetic pervades the movie as well. Garrone's roaming camera style draws you into each moment with extreme close-ups and long takes that wander through each scene and get lost in it. Luciano's plight is crushing because Garrone renders it with such detail.
      • 90

        Village Voice

        Garrone's film grows in your head afterward, making royal hash out of a cultural paradigm we'll be loath to remember years from now—if, by then, everything hasn't become "reality."
      • 90

        The New York Times

        Reality is a story about one man’s desire to make it big on the small screen, and something of a familiar exploration of the blurring between reality and its simulations. More elliptically and more interestingly, it is also a look at an Italy engrossed with rituals and spectacle, in watching and being watched.
      • 83

        The A.V. Club

        His outrageous, self-destructive journey lands him in a place just as ironic as Rupert Pupkin’s in "The King Of Comedy," but it’s haunting and mysterious, too, reflecting the dream that consumes his life.
      • 67

        Portland Oregonian

        Spoofing the pernicious effects of television, especially the so-called reality genre, doesn't require pinpoint aim, and at times Luciano seems as much a target of ridicule as the superficial, oversexed entertainment served up on the tube.
      • 63

        Slant Magazine

        Matteo Garrone has a sure eye for outlandish set pieces that exhibit the expansive outlines of his ideas, but these spectacles are sporadic, and the spaces between them tend to lag.
      • 60

        The Guardian

        It's a likable film played with gusto and heart — though fundamentally a little sentimental and predictable.
      • 60

        New York Daily News

        There is enough here — including the gifted Arena’s barely believable backstory — to keep your head spinning.

      Loved by

      • LauraG.