Ida

4.67
    Ida
    2013

    Synopsis

    Anna, a young novitiate in 1960s Poland, is on the verge of taking her vows when she discovers a family secret dating back to the years of the German occupation.

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    Cast

    • Agata KuleszaWanda
    • Agata TrzebuchowskaAnna
    • Dawid OgrodnikLis
    • Jerzy TrelaSzymon
    • Adam SzyszkowskiFeliks
    • Halina SkoczyńskaMother Superior
    • Joanna KuligSinger
    • Dorota KudukKaska
    • Natalia ŁągiewczykBronia
    • Afrodyta WeselakMarysia

    Recommendations

    • 100

      The Hollywood Reporter

      Frame by frame, Ida looks resplendently bleak, its stunning monochromes combining with the inevitable gloomy Polish weather and communist-era deprivations to create a harsh, unforgiving environment.
    • 100

      Village Voice

      Ida unfolds partly as chamber play and partly as road movie, following the two women on a search for their dead beloveds' anonymous graves.
    • 88

      New York Post

      Both actresses are extraordinary, but Kulesza — bitter, sarcastic and tragic — carries the movie’s soul.
    • 83

      Portland Oregonian

      Just as austere and demanding as you'd expect a black-and-white film about a Polish nun to be. Don't let that scare you, though.
    • 83

      The Playlist

      If it does suffer slightly from an overall lack of urgency that will mean those looking for a more directly emotive experience may find it hard to engage with, the more patient viewer has rewards in store that are rich and rare indeed.
    • 80

      The Guardian

      Every moment of Ida feels intensely personal. It is a small gem, tender and bleak, funny and sad, superbly photographed in luminous monochrome: a sort of neo-new wave movie with something of the classic Polish film school and something of Truffaut, but also deadpan flecks of Béla Tarr and Aki Kaurismäki.
    • 80

      The Dissolve

      Ida’s piercing intimacy makes the deepest impression, but its vision is deceptively wide-reaching despite a scale that’s deliberately pared-down and small.
    • 75

      Slant Magazine

      Pawel Pawlikowski shows great empathy toward the idea of illusions as a way of attaining emotional stability in even the most brutal terrain.

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