Two Days, One Night

4.00
    Two Days, One Night
    2014

    Synopsis

    Sandra is a young woman who has only one weekend to convince her colleagues they must give up their bonuses in order for her to keep her job — not an easy task in this economy.

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    Cast

    • Marion CotillardSandra
    • Fabrizio RongioneManu
    • Catherine SaléeJuliette
    • Pili GroyneEstelle
    • Baptiste SorninMr. Dumont
    • Simon CaudryMaxime
    • Lara PersainWilly's wife
    • Alain EloyWilly
    • Myriem AkheddiouMireille
    • Fabienne SciasciaNadine

    Recommendations

    • 100

      The Guardian

      A tense dramatic situation and a subtly magnificent central performance from Marion Cotillard add up to an outstanding new movie from the Dardenne brothers.
    • 100

      The Playlist

      perhaps the greatest achievement is in how brilliantly the film balances the trademark Dardennes social conscience with a conceit that plays out almost like a ticking-clock thriller, as well as being a deeply felt character study.
    • 100

      Time Out London

      Most importantly, the film involves us: it draws us into the debate, makes us complicit, demands that we have an opinion, and then upends that same opinion a few minutes later. It's engaging and rousing.
    • 100

      Variety

      The Dardennes once again find a richness of human experience that dwarfs most movies made on an epic canvas.
    • 100

      Empire

      Even if you’ve skipped the Dardennes’ work until now, this is a talking-point movie — and an outstanding lead performance — you need to see. It’s a rare film of unforced simplicity that will stick with you for a long time. And it’s honest right to its perfectly judged ending.
    • 91

      IndieWire

      Much of the movie relies on Cotillard's jittery expressions as she veers from tentatively hopeful to despondent and back again, sometimes within a matter of minutes, reflecting the ever-changing stability of job security among the lower class.
    • 90

      The Hollywood Reporter

      It's enriched by signature qualities – the humanistic, nonjudgmental gaze, the absence of sentimentality, the ultra-naturalistic style – that have always distinguished the Belgian brothers' fine body of work.
    • 80

      The Telegraph

      This is another hugely admirable entry in the Dardenne canon: nothing all that new, perhaps, but as thoughtful, humane and superbly composed as we have, very fortunately, come to expect from them.

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