Synopsis
The life story of Elvis Presley as seen through the complicated relationship with his enigmatic manager, Colonel Tom Parker.
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Cast
- Austin ButlerElvis Presley
- Tom HanksColonel Tom Parker
- Olivia DeJongePriscilla
- Helen ThomsonGladys Presley
- Richard RoxburghVernon Presley
- Kelvin Harrison Jr.B.B. King
- David WenhamHank Snow
- Kodi Smit-McPheeJimmie Rodgers Snow
- Luke BraceyJerry Schilling
- Dacre MontgomerySteve Binder
Recommendations
- 91
Entertainment Weekly
It may not be slavishly devoted to the facts (this isn't your typical birth-to-deather), but as with Todd Haynes's glam fantasia Velvet Goldmine, the movie achieves something trickier and more valuable, mining shocking intimacy from sweeping cultural changes. - 80
The Independent
By framing Elvis’s story through Parker’s, Luhrmann’s film is cannily able to take a step back from the intimate details of the musician’s life. Instead it views him as a nuclear warhead of sensuality and cool, someone stood at the very crossroads of a fierce culture war. - 80
The Telegraph
Yes, it’s a bright and splashy jukebox epic with an irresistible central performance from Austin Butler . . . But in that signature Luhrmann way, it veers in and out of fashion on a scene-by-scene basis: it’s the most impeccably styled and blaringly gaudy thing you’ll see all year, and all the more fun for it. - 80
Total Film
The toe-tapping beats of this full-throated biopic will be familiar in more ways than one but Baz Luhrmann, like Elvis, knows how to put on a great show. Butler’s Best Actor chatter starts here. - 78
TheWrap
There’s enough energy and flash, though, to overcome most nit-picking, and Butler throws himself into a performance that’s wildly physical but never cartoonish or disrespectful. (The movie respects Presley, who deserves it, but not Parker, who doesn’t.) - 70
The Hollywood Reporter
If the writing too seldom measures up to the astonishing visual impact, the affinity the director feels for his showman subject is both contagious and exhausting. Luhrmann’s taste for poperatic spectacle is evident all the way, resulting in a movie that exults in moments of high melodrama as much as in theatrical artifice and vigorously entertaining performance. - 60
Los Angeles Times
To complain that “Elvis” is basically a compilation of musical-biopic conventions is a bit like complaining about a greatest-hits album; it also misses one of Luhrmann’s strengths as a filmmaker, which is his ability to suffuse clichés with sincerity, energy and feeling. - 60
Screen Daily
If Elvis suffers from a familiar Luhrmann weakness — style outpacing substance — the concert sequences effortlessly illuminate why Presley remains a revered musical figure, Luhrmann and Butler delivering one euphoric set piece after another.
