Cargo

    Cargo
    2017

    Synopsis

    After being infected in the wake of a violent pandemic and with only 48 hours to live, a father struggles to find a new home for his baby daughter.

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    Cast

    • Martin FreemanAndy
    • Simone LandersThoomi
    • Anthony HayesVic
    • Susie PorterKay
    • Caren PistoriusLorraine
    • Kris McQuadeEtta
    • Natasha WanganeenJosie
    • Bruce R. CarterWillie
    • David GulpililDaku
    • Andy RodoredaRiver Father

    Recommendations

    • 91

      IndieWire

      From Romero’s original zombie series to the films it inspired, this type of horror succeeds when it laces its scares with biting social commentary, and “Cargo” utilizes this formula to great success.
    • 80

      The Guardian

      Nevertheless Cargo is a very strong, at times stirring achievement: a zombie film with soul and pathos.
    • 80

      Screen Daily

      If human resilience remains paramount in zombie films, Cargo goes a step further; here, recognising and redressing the divisive mistakes of the past is more important than merely surviving.
    • 75

      Entertainment Weekly

      The Australian setting brings a fresh, and epic, quality to this now done-to-death genre, and the directors introduce a few nice new kinks to the zombie mythology, notably a desire on the part of the undead to literally — and hauntingly — bury their heads in the sand. But the real treat is Freeman.
    • 74

      The Verge

      Given how many zombie stories are basically elaborate wish-fulfillment video games, about blowing away targets, hoarding supplies, and finding a safe spot, Cargo’s quiet acknowledgement that suicide might be a kind option for the infected feels revelatory and even dangerous.
    • 70

      Los Angeles Times

      Co-directors Ben Howling and Yolanda Ramke (the latter of whom wrote the screenplay) sacrifice some tension with their more character-based approach, but the cumulative effect is emotionally powerful.
    • 70

      Variety

      Radiating not only paternal devotion but also a blunt matter-of-factness that amplifies as his situation becomes more dire, Freeman’s empathetic turn makes Andy an endearing center of attention, and the film — even for those who’ve seen its source material — a heartfelt entry in the overstuffed genre.
    • 63

      RogerEbert.com

      Perhaps the highest compliment I can pay it is that I think George A. Romero himself would have liked it.