Darlin'

    Darlin'
    2019

    Synopsis

    Found at a Catholic hospital filthy and ferocious, feral teenager Darlin’ is whisked off to a care home run by The Bishop and his obedient nuns, where she’s to be rehabilitated into a "good girl" as an example of the miraculous work of the church. But Darlin’ holds a secret darker than the "sins" she is threatened with, and she is not traveling alone. The Woman who raised her, equally fierce and feral, is ever present in the shadows of Darlin’s psyche and is determined to come for her no matter who tries to get in her way.

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    Cast

    • Lauryn CannyDarlin’
    • Bryan BattThe Bishop
    • Nora-Jane NooneSister Jennifer
    • Cooper AndrewsTony
    • Pollyanna McIntoshThe Woman
    • John McConnellDr. Grant
    • Geraldine SingerSister Grace
    • Maddie NicholsBilly
    • Mackenzie GrahamBug
    • Jeff PopeClown

    Recommendations

    • 70

      Los Angeles Times

      The parallel story lines are both about a twisted sisterhood, and come together in a climactic church service sequence that’s equal parts disgusting and grandiose — and kind of awesome, for fans of bizarre, punky horror.
    • 63

      RogerEbert.com

      And yet, while it does not really work — at least not enough to warrant a full recommendation — it is one of those films where some of the stuff that did work was good enough to inspire me to hold out hope practically right up to the closing moments that it would all somehow all pay off in the end.
    • 50

      The Hollywood Reporter

      Darlin’ is the kind of movie that hits you like a bus, and the whiplash you’re routinely recovering from throughout makes it hard to enjoy the ride.
    • 50

      The A.V. Club

      As it is, it’s another jarring mismatch in a film full of them. The core issue seems to be indecision over whether this is all supposed to be camp or not.
    • 30

      Variety

      This first feature from “Walking Dead” thesp-turned-writer/director Pollyanna McIntosh (who played the feral captive in “The Woman”) proves an increasingly wobbly mix of comedy, horror and social critique, its heavy-handed indictment of stereotypical religious hypocrisy finally dragging the enterprise into caricature.