Swing Time

    Swing Time
    1936

    Synopsis

    Lucky is tricked into missing his own wedding again and has to make $25,000 so her father allows him to marry Margaret. He and business partner Pop go to New York where they run into dancing instructor Penny. She and Lucky form a successful dance partnership, but romance is blighted by his old attachment to Margaret and hers for Ricky Romero.

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    Cast

    • Fred AstaireLucky Garnett
    • Ginger RogersPenny Carrol
    • Victor MoorePop Cardetti
    • Helen BroderickMabel Anderson
    • Eric BloreGordon
    • Betty FurnessMargaret Watson
    • Georges MetaxaRicky Romero
    • Landers StevensJudge Watson (uncredited)
    • Jack GoodeDancer (uncredited)
    • Gerald HamerEric Lacanistram (uncredited)

    Recommendations

    • 100

      Chicago Sun-Times

      What Fred and Ginger had together, and what no other team has ever had in the same way, was a joy of performance. They were so good, and they knew they were so good, that they danced in celebration of their gifts.
    • 100

      LarsenOnFilm

      If Swing Time isn’t the pinnacle film in the Fred Astaire-Ginger Rogers partnership, it surely has their pinnacle production number: Never Gonna Dance, with music by Jerome Kern and lyrics by Dorothy Fields.
    • 100

      TV Guide Magazine

      Top Hat may be more energetic and glossy, but Swing Time is arguably the most magical of the ten films Fred Astaire and Ginger Rogers made together. Their dancing and acting rapport are at a peak and director George Stevens shows more finesse than Mark Sandrich in lending the couple's rocky romance a genuinely heartfelt quality.
    • 100

      Entertainment Weekly

      Top Hat is tops with two of the duo’s most sublime numbers. The George Stevens-directed Swing Time, featuring glorious Jerome Kern-Dorothy Fields songs, is just as good.
    • 91

      The A.V. Club

      While the movie’s amusing comedy bits are a little too slow for vintage screwball or farce, its love story has no such limitations. Astaire and Rogers sell their whole relationship through movement, on and off the dance floor.
    • 88

      Chicago Reader

      Arlene Croce has called it a movie about the myth of Astaire and Rogers and the world they lived in, and that's about as good a description as any.
    • 80

      Variety

      Swing Time is another winner for the Fred Astaire-Ginger Rogers combo. It's smart, modern, and impressive in every respect, from its boy-loses-girl background to its tunefulness, dancipation, production quality and general high standards.
    • 75

      The A.V. Club

      It's not quite as charming as Top Hat or Shall We Dance, and the plotting drags heavily in spots, but whenever it gets free from the demands of farce, it's a dizzy delight.

    Loved by

    • Mara