Keeper of the Flame

    Keeper of the Flame
    1943

    Synopsis

    Famed reporter Stephen O'Malley travels to a small town to investigate the death of a national hero.

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    Cast

    • Spencer TracyStevie O'Malley
    • Katharine HepburnChristine Forrest
    • Richard WhorfClive Kerndon
    • Margaret WycherlyOld Mrs. Forrest
    • Forrest TuckerGeoff Midford
    • Frank CravenDocteur Fielding
    • Stephen McNallyFreddie Ridges
    • Percy KilbrideOrion Peabody
    • Audrey ChristieJane Harding
    • Darryl HickmanJeb Rickards

    Recommendations

    • 80

      The New York Times

      A courageous and timely drama which touches frankly upon a phase of American life that is most serious and pertinent today. And in it Mr. Tracy and Miss Hepburn perform with a taut solemnity that is in decided contrast to their previous collaborative roles.
    • 75

      Chicago Tribune

      An odd premise for a Spencer Tracy-Katharine Hepburn film--an anti-fascist melodrama with Tracy as the no-nonsense reporter investigating a beloved but tarnished American icon, Hepburn as the icon's wife--but they give it their trademark polish. [24 Feb 2006, p.C7]
    • 75

      IndieWire

      Watching the couple embroiled in a drama that’s less romp and more mystery is a worthy treat for any Hepburn/Tracy fans.
    • 75

      Miami Herald

      It gets awfully corny toward the end ("Print -- choke, gasp -- the truth."), but director George Cukor keeps the atmosphere spooky, and Darryl Hickman is good as a cute little brown-shirt. [12 Sep 1982, p.8]
    • 60

      Time Out

      It works well if rather stiffly for a while, with excellent performances (Wycherly and da Silva are outstanding), but blows up into absurd histrionics and naive propaganda.
    • 60

      TV Guide Magazine

      This is an offbeat gothic drama with elements of mystery, that would be nothing more than a muddle if not for the compelling presence of Tracy and Hepburn.
    • 50

      Chicago Reader

      In spite of the creative team—Hepburn, Tracy, and director George Cukor—this curiously flat 1943 melodrama redeems itself only from moment to moment.
    • 40

      The New Yorker

      Tracy and Hepburn, but not a comedy, and not good, either.