Gaslight

5.00
    Gaslight
    1944

    Synopsis

    A newlywed fears she's going mad when strange things start happening at the family mansion.

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    Cast

    • Charles BoyerGregory Anton
    • Ingrid BergmanPaula Alquist
    • Joseph CottenBrian Cameron
    • May WhittyBessie Thwaites
    • Angela LansburyNancy Oliver
    • Barbara EverestElizabeth Tompkins
    • Emil RameauMaestro Guardi
    • Edmund BreonGeneral Huddleston
    • Halliwell HobbesMr. Muffin
    • Tom StevensonWilliams

    Recommendations

    • 100

      The Hollywood Reporter

      Direction by George Cukor is ever a display of fine craftsmanship. He utilizes small mosaics of sharp characterization in building to his climax and works in each facet faultlessly. This is the job for which Cukor admirers have been waiting.
    • 88

      Chicago Tribune

      Somewhat illogical but full of terrifyingly sustained sado-masochistic emotion. [05 Dec 1997, p.L]
    • 83

      Entertainment Weekly

      It’s canny, gothic fun, helped along by Lansbury (in her film debut) as a tarty maid who delights in overstepping boundaries.
    • 80

      Los Angeles Times

      What keeps "Gaslight" burning is its tantalizing aura of mystery. [10 Feb 1994, p.5]
    • 75

      Chicago Reader

      George Cukor carefully avoids the obvious effects in telling this story of a husband (Charles Boyer) attempting to drive his wife (Ingrid Bergman) insane; instead, this 1944 film is one of the few psychological thrillers that is genuinely psychological, depending on subtle clues—a gesture, an intonation—to thought and character.
    • 75

      ReelViews

      Yes, the ending is weak, and there are aspects of the story that don't stand up to scrutiny, but this is the kind of effectively-crafted, well-acted motion picture that rises above its faults to earn its "classic" appellation.
    • 75

      LarsenOnFilm

      It’s often asked why battered women don’t “just leave.” Gaslight evokes the sort of psychological intimidation and cruel mind games that make it so much more complicated than that.
    • 70

      The New York Times

      Prepare yourselves rather for a lengthy and restless stretch on tenterhooks.

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