The Postman Always Rings Twice

    The Postman Always Rings Twice
    1946

    Synopsis

    A married woman and a drifter fall in love, then plot to murder her husband.

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    Cast

    • Lana TurnerCora Smith
    • John GarfieldFrank Chambers
    • Cecil KellawayNick Smith
    • Hume CronynArthur Keats
    • Leon AmesKyle Sackett
    • Audrey TotterMadge Gorland
    • Alan ReedEzra Liam Kennedy
    • Jeff YorkBlair
    • Philip AhlmPhotographer (uncredited)
    • John AlbanPhotographer (uncredited)
    • 100

      TV Guide Magazine

      The best version of James M. Cain's torrid, hard-hitting romance comes to startling life under Garnett's shrewd direction.
    • 100

      Los Angeles Times

      This 1946 version became a key film in postwar Hollywood film noir. Directed by Tay Garnett, it remains one of Lana Turner's (right) very best films. [02 Feb 1997, p.78]
    • 100

      The Observer (UK)

      More film gris than film noir, it offers a biting moral conundrum at every turn. [17 Oct 2010, p.4]
    • 91

      Portland Oregonian

      Garfield is customarily strong and energetic as a desperate guy on the edge. Famous for her work in tight sweaters and halters, Turner was no thespian. But the combination of Garfield and Garnett, or something, fired a performance from her that is, in its way, perfect. [05 Mar 1999]
    • 89

      Austin Chronicle

      With a plot hinging on twists and turns that might not have worked as well with less electricity than Turner and Garfield generate, Postman sizzles and flares with crackling tension.
    • 80

      The New York Times

      The picture achieves its distinction through the smart way in which it has been made and through the quality of its representation of two passion-torn characters.
    • 80

      Chicago Reader

      This 1946 film is a key work of the postwar period, dripping with demented romanticism and the venom of disillusionment. Tay Garnett directed, finding the pull of obsession in every tracking shot.
    • 70

      Variety

      Development of the characters makes Tay Garnett’s direction seem slowly paced during first part of the picture, but this establishment was necessary to give the speed and punch to the uncompromising evil that transpires.

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