The Old Man and the Sea

    The Old Man and the Sea
    1958

    Synopsis

    Santiago is an aging, down-on-his-luck, Cuban fisherman who, after catching nothing for nearly 3 months, hooks a huge Marlin and struggles to land it far out in the Gulf Stream.

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    Cast

    • Spencer TracyThe Old Man
    • Felipe PazosManolin, the Boy
    • Harry BellaverMartin, the Cafe Bartender
    • Don DiamondCafe Proprietor (uncredited)
    • Mary HemingwayTourist (uncredited)
    • Joey RayGambler (uncredited)
    • Mauritz HugoGambler (uncredited)
    • Tony RosaGambler (uncredited)
    • Don BlackmanArm Wrestler

    Recommendations

    • 75

      TV Guide Magazine

      Sturges's direction, given the confining nature of the settings, is masterful, and the cinematography headed by Howe and pieced together by many others is sometimes stunning.
    • 63

      USA Today

      Some of James Wong Howe's photography is lovely, compensating for the rear-projected fish. [12 Jul 1996]
    • 60

      Chicago Reader

      While Spencer Tracy provides a solid performance in the title role and Dimitri Tiomkin won an Oscar for his score, the overall effect of trying to film this rather unfilmable novel is a bit like an illustrated slide lecture.
    • 50

      Entertainment Weekly

      Essentially, it’s a slow-moving, low-rent Moby Dick with portentous voice-overs and unconvincing process shots of Spencer Tracy in a studio tank. In fact, why director John Sturges (The Magnificent Seven) bothered to make it remains a mystery.
    • 50

      Variety

      It captures the dignity and the stubborness of the old man, and it is tender in his final defeat. And yet it isn’t a completely satisfying picture. There are long and arid stretches, when it seems as if producer and director were merely trying to fill time.
    • 50

      Chicago Sun-Times

      The real star is cinematographer James Wong Howe, who distracts us from the character's lulling conversations with himself -- and Tracy's grim voiceovers -- with his magisterial seascapes and sunsets. [18 Feb 1999, p.31]
    • 40

      The New York Times

      Whatever allegorical intimations there may be in it are not conveyed to any sensible degree in a voice narration that breaks in occasionally or in the mumblings of the old man.
    • 30

      Time Out

      A painfully sincere, meticulously faithful, and pitifully plodding adaptation of Hemingway's novel about the symbolic struggle between an old Mexican fisherman and a giant marlin.