Experiment in Terror

    Experiment in Terror
    1962

    Synopsis

    A man with an asthmatic voice telephones and assaults clerk Kelly Sherwood at home and coerces her into helping him steal a large sum from her bank.

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    Cast

    • Glenn FordJohn Ripley
    • Lee RemickKelly Sherwood
    • Stefanie PowersToby Sherwood
    • Roy PooleBrad
    • Ned GlassPopcorn
    • Anita LooLisa Soong
    • Patricia HustonNancy Ashton
    • Gilbert GreenSpecial Agent
    • Clifton JamesCapt. Moreno
    • Al AvalonMan Who Picks Up Kelly

    Recommendations

    • 80

      Time Out

      After Carpenter and De Palma, it may seem a little dated; yet Edwards' classical feel for pure cinema remains unalloyed.
    • 80

      The New Yorker

      With Experiment in Terror, Edwards, working in the familiar genre of criminal depravity, does something that may well be, for Hollywood, unprecedented: he makes a virtual piece of film criticism in movie form.
    • 75

      TV Guide Magazine

      Edwards' direction is effective, although he relies too heavily on overhead and boom shots to show his action scenes.
    • 75

      Chicago Reader

      Blake Edwards's 1962 film is largely a formal study, a good excuse to explore some offbeat locations in San Francisco (including Candlestick Park at the climax). Nice work, but Edwards has done better.
    • 75

      San Francisco Chronicle

      Blake Edwards' moody suspense thriller captures San Francisco from unexpected perspectives, starting with a dark drive with a perfect noirish Henry Mancini score across the Bay Bridge, and ending with then-new Candlestick Park. [08 Feb 2015, p.D6]
    • 63

      Slant Magazine

      Credit the film’s modest virtues to Edwards’s undeniable verve as a visual stylist. Still, with a running time slightly over two hours, Experiment in Terror is a bit too protracted to count as an unqualified success.
    • 60

      The New York Times

      It takes more than two hours to come to a solution of the problem in this film. They would do it in one hour on TV, and it would probably be every bit as good.
    • 50

      Variety

      The film treatment embraces a number of unnecessary character bits that merely extend the plot and, despite their striking individual reaction, deter from the suspense buildup.

    Loved by

    • Mara