Cleopatra

    Cleopatra
    1963

    Synopsis

    Determined to hold on to the throne, Cleopatra seduces the Roman emperor Julius Caesar. When Caesar is murdered, she redirects her attentions to his general, Marc Antony, who vows to take power—but Caesar’s successor has other plans.

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    Cast

    • Elizabeth TaylorCleopatra
    • Richard BurtonMarcus Antonius
    • Rex HarrisonJulius Caesar
    • Pamela BrownHigh Priestess
    • George ColeFlavius
    • Hume CronynSosigenes
    • Cesare DanovaApollodorus
    • Kenneth HaighBrutus
    • Andrew KeirAgrippa
    • Martin LandauRufio

    Recommendations

    • 100

      Austin Chronicle

      Taylor, Burton, and Harrison are sublime in this sweeping epic of love and nations.
    • 80

      The Guardian

      Joseph L Mankiewicz's four-hour Cleopatra is a stately but sometimes mindboggling spectacle. The central moment is the queen's jawdropping entry into Rome, for which Mankiewicz creates a sensational Busby Berkeley fantasy, like the world's biggest Olympic opening ceremony.
    • 80

      The Hollywood Reporter

      Cleopatra is not a great movie. But it is primarily a vast, popular entertainment that sidesteps total greatness for broader appeal. This is not an adverse criticism, but a notation of achievement.
    • 80

      The New York Times

      Forget the length of time it took to make it and all the tattle of troubles they had, including the behavior of two of its spotlighted stars. The memorable thing about this picture is that it is a surpassing entertainment, one of the great epic films of our day. By virtue of brilliant staging, Mr. Mankiewicz keeps this well-known tale moving with visual excitements that increase the dramatic flow and give extraordinary insights into the characters.
    • 80

      The New Yorker

      Mankiewicz’s Cleopatra is put together of the stuff of legend that the director experienced as personal reality, and he filmed the story as if he had been there. The film may be as close as Hollywood gets, outside the realm of Orson Welles, to a cinematic simulacrum of Shakespeare, less in its lucidly incisive, rhetorically reserved images than in its blend of coruscating language, rowdy comedy, and grand yet urgent and intimate performances.
    • 80

      Variety

      Cleopatra is not only a supercolossal eye-filler (the unprecedented budget shows in the physical opulence throughout), but it is also a remarkably literate cinematic recreation of an historic epoch.
    • 60

      Time Out London

      This super-gargantuan historical drama may not be much of a movie, but it delivers Hollywood spectacle of the sort we’ll never see again.
    • 50

      Slant Magazine

      Cleopatra is, disappointingly, neither a visionary masterpiece nor a fascinating catastrophe, but something altogether more banal: an unusually intimate epic that falls very flat.

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