The Hill

    The Hill
    1965

    Synopsis

    North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.

    Your Movie Library

    Cast

    • Sean ConneryJoe Roberts
    • Harry AndrewsR.S.M. Wilson
    • Ian BannenHarris
    • Alfred LynchGeorge Stevens
    • Ossie DavisJacko King
    • Roy KinnearMonty Bartlett
    • Jack WatsonJock McGrath
    • Ian HendryStaff Sergeant Williams
    • Michael RedgraveThe Medical Officer
    • Norman BirdCommandant

    Recommendations

    • 88

      USA Today

      Lots of sand but no day at the beach for its characters -- and not, from all appearances, the actors, either. Among the best of director Sidney Lumet's movies not set in New York. [08 Jun 2007, p.8E]
    • 83

      Entertainment Weekly

      Rebel-with-a-cause clichés are mostly averted by sturdy acting, Oswald Morris’ vivid black-and-white cinematography, and a satisfyingly bleak conclusion.
    • 80

      Empire

      Atmospherically black-and-white photography provides suitable accompaniment to Sidney Lumet's unrelenting direction, with the two leads into it with plenty of relish.
    • 80

      Time Out

      Sean Connery took a break from Bond to give a sterling performance in this awesomely intense drama set in a North African British army camp, where the favourite punishment for prisoners is to send them clambering up and down a man-made hill in the full heat of the day.
    • 80

      Variety

      It is a harsh, sadistic and brutal entertainment, superbly acted and made without any concessions to officialdom.
    • 75

      TV Guide Magazine

      An intense, if slightly overlong, drama. The film is well assembled, and the performances are all quite good, especially Connery and Hendry.
    • 75

      The Globe and Mail (Toronto)

      Lumet uses every claustrophobic camera angle in the book to make the viewer feel as trapped as the characters. [04 Nov 2000, p.12]

    Loved by

    • Mara