The Ipcress File

    The Ipcress File
    1965

    Synopsis

    Sly and dry intelligence agent Harry Palmer is tasked with investigating British Intelligence security, and is soon enmeshed in a world of double-dealing, kidnap and murder when he finds a traitor operating at the heart of the secret service.

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    Cast

    • Michael CaineHarry Palmer
    • Nigel GreenMajor Dalby
    • Guy DolemanColonel Ross
    • Sue LloydJean
    • Gordon JacksonCarswell
    • Aubrey RichardsRadcliffe
    • Frank GatliffBluejay
    • Thomas BaptisteBarney
    • Oliver MacGreevyHousemartin
    • Freda BamfordAlice

    Recommendations

    • 100

      Empire

      Harry Palmer, charismatic but grounded in reality, is the perfect popular bridge between the spectacular escapades of Bond and the cold, harsh milieu of Deighton's embittered, betrayed spies.
    • 88

      Slant Magazine

      In the end, The Ipcress File abandons its more low-key, nuts-and-bolts depiction of spycraft, and as such morphs from the pure antithesis of a 007 romp into something far closer to a self-serious send-up.
    • 80

      The Guardian

      Caine's star-quality and absolute ease in front of the camera are fully formed.
    • 80

      BBC

      This eerie (and nowadays somewhat kitsch) spectacle aside, helmer Stanley J Furie opts for spycraft nitty-gritty over suspense. However, he doesn't skimp on style: with the action lensed from an array of low, skewed angles, even a trip to the supermarket rouses the retina.
    • 70

      Time Out

      Director Sidney J Furie’s indulgence of the queer manners of an army-based British spy culture remains seductive, as does Caine’s rash character, a mild flirt who is proud of his cooking skills (a superior calls him ‘insubordinate… insolent… a trickster… perhaps with criminal properties…’). More quaint is the film’s dated science.
    • 70

      The New York Times

      The Ipcress File is as classy a spy film as you could ask to see.
    • 60

      Variety

      Pic does not build up to the type of suspense usually demanded of such thrillers.
    • 60

      Los Angeles Times

      The film now seems less urbane and innovative, more coldly flashy and bluntly affected -- full of sound and Furie, signifying little. [2 June 1987, p.Cal-1]

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    • polm23