Torn Curtain

3.00
    Torn Curtain
    1966

    Synopsis

    During the Cold War, an American scientist appears to defect to East Germany as part of a cloak and dagger mission to find the formula for a resin solution, but the plan goes awry when his fiancee, unaware of his motivation, follows him across the border.

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    Cast

    • Paul NewmanMichael Armstrong
    • Julie AndrewsSarah Sherman
    • Lila KedrovaCountess Kuchinska
    • Hansjörg FelmyHeinrich Gerhard
    • Tamara ToumanovaBallerina
    • Ludwig DonathGustav Lindt
    • Wolfgang KielingHermann Gromek
    • Günter StrackKarl Manfred
    • David OpatoshuMr. Jacobi
    • Gisela FischerDr. Koska

    Recommendations

    • 83

      The A.V. Club

      Despite some weaknesses, the film remains a bold and challenging work, one that flies in the face of the conventional spy thrillers of its day.
    • 70

      Chicago Reader

      Hitchcock was incapable of making an uninteresting film, even when burdened with unsympathetic stars like Julie Andrews and Paul Newman, and Torn Curtain has its moments.
    • 50

      The New York Times

      In these times, with James Bonds cutting capers and pallid spies coming in out of the cold, Mr. Hitchcock will have to give us something a good bit brighter to keep us amused.
    • 50

      Slant Magazine

      Torn Curtain, which was a commercial success because of the drawing power of its stars, is an artistic flop.
    • 50

      Time Out

      Hitchcock, seemingly too dour or too uninterested to turn in the title's promise of a Cold War ripping yarn, settles instead for a dissection of the limits of domestic trust.
    • 50

      TV Guide Magazine

      Putting Julie Andrews in a Hitchcock film at all, meanwhile, proves that a spoonful of sugar doesn't help the medicine go down...in the most de-light-ful way. Dull and way too long.
    • 50

      Variety

      Alfred Hitchcock's direction emphasizes suspense and ironic comedy flair but some good plot ideas are marred by routine dialog, and a too relaxed pace contributes to a dull overlength.
    • 40

      The New Yorker

      Sloppy, clumsy Hitchcock thriller. Brian Moore is credited with the original screenplay, but probably his friends don't mention it.

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