Paint Your Wagon

    Paint Your Wagon
    1969

    Synopsis

    A Michigan farmer and a prospector form a partnership in the California gold country. Their adventures include buying and sharing a wife, hijacking a stage, kidnapping six prostitutes, and turning their mining camp into a boom town. Along the way there is plenty of drinking, gambling, and singing. They even find time to do some creative gold mining.

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    Cast

    • Lee MarvinBen Rumson
    • Clint Eastwood"Pardner"
    • Jean SebergElizabeth Woodling
    • Ray Walston"Mad Jack" Duncan
    • Harve Presnell"Rotten Luck Willie"
    • Tom LigonHorton Fenty
    • Alan DexterParson
    • Terry JenkinsJoe Mooney
    • Paula TruemanMrs. Fenty
    • H.B. HaggertySteve Bull

    Recommendations

    • 70

      Time Out

      Logan's rotund version of Lerner and Loewe's musical Western may lack actors (Presnell excepted) who can actually sing, but that's compensated for by a solid plot involving a farcical discovery of gold, and the growth of a mining town (No Name City) that develops from amoral shantydom to respectability and a holocaust.
    • 60

      The New York Times

      An amiable, $20-million musical. That's a high price to pay for something that is more an expression of good intentions than evidence of sustained cinematic accomplishment. However, because amiability is never in over abundant supply, especially in Hollywood super-productions, the movie can be enjoyed more often than simply tolerated.
    • 60

      Variety

      What the $17 million-plus film (from the 1951 Lerner-Loewe Broadway musical) lacks in a skimpy story line it makes up in the music and expert choreography. There are no obvious ‘musical numbers’. All the songs, save one or two, work neatly, quietly and well into the script. The actors used their own voices, which are pleasant enough and add to the note of authenticity.
    • 50

      The A.V. Club

      Paint Your Wagon divided audiences and critics. With its central three-way marriage, debauchery, polygamy, Paddy Chayevsky script, and unconventional stars, it was too damn weird and adult for family audiences and too corny, old-fashioned, and bloated for the druggies and stoners.
    • 50

      Chicago Sun-Times

      It doesn't even inspire a put-down. It just lies there in my mind -- a big, heavy lump. But in the midst of it, like a visitor from another movie, Lee Marvin desperately labors to inject some flash and sparkle. And he succeeds in bringing whole scenes to life. A good actor can do this, but it's a waste when he must.
    • 50

      TV Guide Magazine

      Everyone does his or her own singing--a mistake, except in the case of Presnell. Eastwood talk-sings effectively, a la Rex Harrison, but Marvin sings so badly that his numbers are camp classics.
    • 40

      Empire

      Mind you, Eastwood went on the star with an orang-utan, twice, so this is only his third maddest film. Although, it could be his dullest. Which was one thing no one would of expected of this madcap enterprise, born of a what-the-heck attitude from its macho stars — that it would struggle so hard to be fun.