Take the Money and Run

    Take the Money and Run
    1969

    Synopsis

    Virgil Starkwell is intent on becoming a notorious bank robber. Unfortunately for Virgil and his not-so-budding career, he is completely incompetent.

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    Cast

    • Woody AllenVirgil Starkwell
    • Janet MargolinLouise
    • Marcel HillaireFritz
    • Jacquelyn HydeMiss Blair
    • Lonny ChapmanJake - Convict
    • Jan MerlinAl - Bank Robber
    • James AndersonChain Gang Warden
    • Howard StormFred
    • Mark GordonVince
    • Micil MurphyFrank

    Recommendations

    • 90

      The New York Times

      Allen has made a movie that is, in effect, a feature-length, two-reel comedy—something very special and eccentric and funny.
    • 70

      Chicago Reader

      Woody Allen's first film as a director, in which he plays Virgil Starkwell, Public Schmuck Number One. This ragged collection of gags and sketch fragments was reportedly pieced together from an incoherent mass of footage by ace film doctor Ralph Rosenblum.
    • 63

      Chicago Sun-Times

      Woody Allen's Take the Money and Run has some very funny moments, and you'll laugh a lot, but in the last analysis it isn't a very funny movie. It isn't really a movie at all. I suspect it's a list of a lot of things Woody Allen wanted to do in a movie someday, and the sad thing is he did them all at once.
    • 60

      Empire

      The life and crimes of Virgil Starkwell, a petty hoodlum who finds love with a laundress, Louise, in between botched blags and stints on a chain gang.
    • 60

      Time Out London

      Tale of the eagerly criminal career of Virgil Starkwell is as unpredictably structured as Annie Hall, if not yet anything like as sustained in tone and mood. But it has plenty of hilarious jokes and concepts, like the ventriloquists' dummies at prison visiting time, and the return home from a chain gang break with five shackled cons in tow.
    • 50

      Variety

      A few good laughs in an 85-minute film do not a comedy make. Basically a running gag about hero Allen's ineptitude as a professional crook, scatters its fire in so many directions it has to hit at least several targets. But satire on documentary coverage of criminal flop is overextended and eventually tiresome.

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