Beyond the Valley of the Dolls

    Beyond the Valley of the Dolls
    1970

    Synopsis

    An all-female rock group finds fame, love, and drama when they move to LA in order to claim the lead singer’s inheritance.

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    Cast

    • Dolly ReadKelly McNamara
    • Cynthia MyersCasey Anderson
    • Marcia McBroomPetronella Danforth
    • John LazarRonnie Z-Man Barzell
    • Michael BlodgettLance Rocke
    • David GurianHarris Allsworth
    • Edy WilliamsAshley St. Ivens
    • Erica GavinRoxanne
    • Phyllis DavisSusan Lake
    • Harrison PageEmerson Thome

    Recommendations

    • 88

      Slant Magazine

      While Roger Ebert’s screenplay contains overt jabs at Hollywood’s culture of exploitation, Beyond the Valley of the Dolls cannot be called anything but sincere regarding its penchant for buxom female anatomy.
    • 80

      Slate

      The madcap, sexy, borderline-surrealist film is impossible to summarize, but calling it a fast-and-loose Hollywood fantasia on A Midsummer Night’s Dream would not be totally inaccurate.
    • 80

      Time Out

      With his first movie for a major studio, Meyer simply did what he'd been doing for years, only bigger and better. That's to say, he turned the homely story of an all-girl rock band's rise to fame under their transsexual manager into a delirious comedy melodrama, soused in self- parody but spiked with dope, sex and thrills.
    • 75

      TV Guide Magazine

      Russ Meyer's Beyond the Valley of the Dolls is an outrageously entertaining cult classic, and probably one of the most bizarre movies ever produced by a major Hollywood studio.
    • 75

      The A.V. Club

      Together, Ebert and Meyer produced an unhinged spoof of soapy melodramas and hippie iconography, so over-the-top in its violence and libertine sexuality that no one in 1970 quite knew what to make of it.
    • 75

      Chicago Reader

      It's quite funny at times, and the expert direction is never less than vigorous, though in retrospect it seems to have marked the end of Meyer's most appealing period—his comic spirit was more expansive before he learned the word camp.
    • 60

      Empire

      Not a sequel to the bland film of Jacqueline Susann’s trashy best-seller, this is more like a demented remake, alternating modish psychedelia with deliberately square moralising.
    • 50

      The New York Times

      Any movie that Jacqueline Susann thinks would damage her reputation as a writer cannot be all bad. Beyond the Valley of the Dolls isn't—which is not to say it is any good.

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