The Offence

    The Offence
    1973

    Synopsis

    A burned-out British police detective finally snaps while interrogating a suspected child molester.

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    Cast

    • Sean ConneryDetective Sergeant Johnson
    • Trevor HowardLieutenant Cartwright, Detective Superintendant
    • Vivien MerchantMaureen Johnson
    • Ian BannenKenneth Baxter
    • Peter BowlesDetective Inspector Cameron
    • Derek NewarkFrank Jessard
    • Ronald RaddLawson
    • John HallamPanton
    • Anthony SagarHill
    • Maxine GordonJanie

    Recommendations

    • 80

      CineVue

      The Offence is almost the definition of murk, unrelenting and unforgiving.
    • 80

      The Guardian

      The atmosphere and performances are sustained at a terrifying pitch, and the movie ends suddenly, leaving the audience to deal with the ideas and emotions aroused.
    • 80

      Los Angeles Times

      A splendid, unjustly neglected 1973 British film in which Sean Connery, at his very best under Sidney Lumet's direction, plays a veteran police sergeant haunted by years of contact with terrible crimes and on the brink of a total breakdown. [27 May 1990, p.10]
    • 75

      Slant Magazine

      Few genre films come as close to entering the abyss as Sidney Lumet’s The Offence, which effectively plays out as one elongated interrogation both of a single witness and the tortured psyche of Sergeant Johnson (Sean Connery).
    • 70

      The New York Times

      The revelations explode predictably, like the ingredients of a 24-hour cold capsule, but the dramatic impact is real while one is watching it.
    • 60

      Variety

      There's a powerful confrontation of authority and accused between police sergeant Sean Connery and suspected child molester Ian Bannen in Sidney Lumet's The Offence. A brilliant scene, however, does not in itself make for a brilliant overall feature.
    • 60

      TV Guide Magazine

      A powerful and complex performance by Connery is somewhat weakened by Lumet's typically stiff and stagey direction, which tends to sap the life out of the film.
    • 50

      IndieWire

      An interesting but not entirely rewarding inversion on Lumet’s continued study of law enforcement.

    Seen by

    • Metalshell