Thieves Like Us

    Thieves Like Us
    1974

    Synopsis

    Three criminals escape from prison and embark on a robbery spree across USA. Along the way, one of them falls in love while they plan a final heist before going their separate ways.

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    Cast

    • Keith CarradineBowie
    • Shelley DuvallKeechie
    • John SchuckChicamaw
    • Bert RemsenT-Dub
    • Louise FletcherMattie
    • Ann LathamLula
    • Tom SkerrittDee Mobley
    • Al ScottCapt. Stammers
    • John RoperJasbo
    • Mary WaitsNoel Joy

    Recommendations

    • 91

      The A.V. Club

      Remove all the crime-movie trappings—and there aren't that many, once Altman gets through with them—and the film would still endure for its surface alone, capturing the Depression-era South with brushstrokes of language, décor, and radio-plays on the soundtrack.
    • 91

      Entertainment Weekly

      Anchored by Keith Carradine and Shelley Duvall’s romance and full of Altman’s typical aural flourishes (old-time radio shows serve as the soundtrack), Thieves Like Us proves that it takes both joy and melancholy to equal nostalgia.
    • 90

      Time Out

      Never portentous, never a mere spoof, this is a touching, intelligent, and - in its own small way - rather wonderful movie.
    • 90

      Variety

      Thieves Like Us proves that when Robert Altman has a solid story and script, he can make an exceptional film, one mostly devoid of clutter, auterist mannerism, and other cinema chic.
    • 88

      Chicago Sun-Times

      Like so much of his work, Robert Altman’s Thieves Like Us has to be approached with a certain amount of imagination. Some movies are content to offer us escapist experiences and hope we’ll be satisfied. But you can’t sink back and simply absorb an Altman film; he’s as concerned with style as subject, and his preoccupation isn’t with story or character, but with how he’s showing us his tale.
    • 80

      The New Yorker

      Robert Altman finds a sure, soft tone in this movie, from 1974, and he never loses it. His account of Coca-Cola-swigging young lovers in the thirties is the most quietly poetic of his films; it’s sensuous right from the first pearly-green long shot, and it seems to achieve beauty without artifice.
    • 80

      New York Magazine (Vulture)

      It is, perhaps, the most demanding of his recent films--but as always, the demands are justified and rewarding. [11 Feb 1974, p.74]
    • 75

      TV Guide Magazine

      A well-done remake of They Live By Night that's slightly long but unusually free of Altman's customary indulgences.

    Loved by

    • subhuman