Synopsis
Charles Dreyfus, who has finally cracked over inspector Clouseau's antics, escapes from a mental institution and launches an elaborate plan to get rid of Clouseau once and for all.
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Cast
- Peter SellersChief Inspector Clouseau
- Herbert LomDreyfus
- Leonard RossiterQuinlan
- Colin BlakelyDrummond
- Graham StarkHotel Clerk
- Byron KaneSecretary of State
- Dick CrockettPresident
- Richard VernonFassbender
- Briony McRobertsMargo Fassbender
- Burt KwoukCato
Recommendations
- 80
Variety
The Pink Panther Strikes Again is a hilarious film about the further misadventures of Peter Sellers as Inspector Clouseau. Action proceeds smartly through plot-advancing action scenes, interleaved with excellent non-dialog sequences featuring Sellers and underscored superbly by Henry Mancini. - 70
The New York Times
Both Mr. Sellers and Mr. Edwards delight in old gags, and part of the joy of The Pink Panther Strikes Again is watching the way they spin out what is essentially a single routine, such as one fellow's trying, unsuccessfully, to help another fellow out of a lake. - 70
Newsweek
The current installment is a bit funnier than its predecessor, but the success of the Panther series has never depended solely on laughs. Blake Edwards's slick, seamless directions makes even the flimsiest routines seem stylish; in addition to its comic virtues, this is one of the best-looking movies of its kind in recent memory. [27 Dec 1976, p.57] - 63
Chicago Sun-Times
There has to come a time when inspiration gives way to habit, and I think the Pink Panther series is just about at that point. That's not to say this film isn't funny -- it has moments as good as anything Sellers and Edwards have ever done -- but that it's time for them to move on. - 60
Time Out
The fifth Pink Panther effort might seem marginally disappointing even to diehard Clouseau fans, with slapstick gags for the pratfalling clown hung very loosely on increasingly implausible jetsetting plot antics. - 60
TV Guide Magazine
There are some marvelous sight gags, but the film goes over the top into mindless farce at times, destroying much of the Chaplinesque believability that Sellers had earlier engendered. - 50
The New Yorker
The director, Blake Edwards, sets up promising slapstick situations, and then the payoffs are out of step (and worse, repeated); after the first half hour or so, the film loses momentum.
