Days of Heaven

    Days of Heaven
    1978

    Synopsis

    In 1916, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer.

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    Cast

    • Richard GereBill
    • Brooke AdamsAbby
    • Sam ShepardThe Farmer
    • Linda ManzLinda
    • Robert J. WilkeThe Farm Foreman
    • Jackie ShultisLinda's Friend
    • Stuart MargolinMill Foreman
    • Timothy ScottHarvest Hand
    • Gene BellDancer
    • Doug KershawFiddler

    Recommendations

    • 100

      Austin Chronicle

      Some movies are like Dorothy's twister; they just pick you up and whisk you away from the commonplace world you know to a world wondrous and astonishing. Days of Heaven is such a movie. [27 July 1998]
    • 100

      Chicago Sun-Times

      Above all one of the most beautiful films ever made. Malick's purpose is not to tell a story of melodrama, but one of loss. His tone is elegiac. He evokes the loneliness and beauty of the limitless Texas prairie. [7 Dec. 1997]
    • 100

      TV Guide Magazine

      Director Malick endows this simple, timeless story with the enormous scope and resonance of myth through a clear vision unclouded by sentimentality and by a deft juxtaposition of image, music, and character.
    • 100

      Variety

      A dramatically moving and technically breathtaking American art film, one of the great cinematic achievements of the 1970s.
    • 100

      Village Voice

      It seems almost incontestably...the most gorgeously photographed film ever made. [23 March 1999]
    • 100

      Chicago Tribune

      Days of Heaven is the grand climax of the whole "Bonnie and Clyde"-"Badlands" tradition of outlaw-lovers-on-the-run movies. Shot by Nestor Almendros and the uncredited Haskell Wexler, it's a cinematographic masterpiece. [20 March 1998]
    • 100

      Chicago Reader

      The result is a film that hovers just beyond our grasp--mysterious, beautiful, and, very possibly, a masterpiece.
    • 100

      The Guardian

      The film, with its transcendentally beautiful visuals...is a rich and rewarding experience. [1 Sept. 2011]

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