Synopsis
Henry Moon is captured for a capital offense by a posse when his horse quits while trying to escape to Mexico. He finds that there is a post-Civil War law in the small town that any single or widowed woman can save him from the gallows by marrying him.
Your Movie Library
Cast
- Jack NicholsonHenry Moon
- Mary SteenburgenJulia Tate
- Christopher LloydTowfield
- John BelushiHector
- Veronica CartwrightHermine
- Richard BradfordSheriff Kyle
- Jeff MorrisBig Abe
- Danny DeVitoHog
- Tracey WalterCoogan
- Gerald H. ReynoldsPolty
Recommendations
- 90
Time Out London
Nicholson's second film as director, a wonderfully beguiling Western in which he plays a sad sack outlaw (ex-cook to Quantrill's Raiders) snatched from the gallows by Steenburgen's prim spinster (taking advantage of a special ordinance occasioned by man shortage after the Civil War), who weds him and puts him to work mining for gold. Tender, bawdy and funny in its shaggy dog ramifications. - 70
Newsweek
Droll, sweet-tempered and lackadaisical, it's a shaggy-dog story with Nicholson playing the shaggy dog. It turns Western conventions on their heads not out of satirical anger but simply to charm the pants off the audience. A little less coyness, and a lot more John Belushi (as a Mexican deputy), would have helped. Still, at a time when most comedy comes straight out of the bathroom, the quirky, civilized pleasures of Nicholson's film are not to be sneezed at. [09 Oct 1978, p.94] - 60
Empire
Fun, but it mugs too hard. - 50
Variety
Picture starts off promisingly enough with Nicholson as a hapless outlaw who makes it across the border but the posse cheats and comes across after him causing his horse to faint. But it never jells, as Nicholson continues to sputter and chomp, acting more like her grandfather than a handsome roue out to overcome her virginity. - 50
The Globe and Mail (Toronto)
Neither Nicholson nor the talented Miss Steenburgen, in her film debut, could rise above the patched-together script. The promising parody of anti-mythic Westerns, and of mellerdrammers (the railroad wants to snitch Julia's land), decays into a love story whose parameters are all too narrow and all too familiar. [07 Oct 1978] - 50
The New Yorker
Nicholson's fatuous leering performance dominates the movie, and because his prankishness also comes out in the casting and directing, the movie hasn't any stabilizing force; there's nothing to balance what he's doing--no one with a strait jacket. An actor-director who prances about the screen manically can easily fool himself into thinking that his film is jumping; Nicholson jumps, all right, but the movie is inert. - 40
TV Guide Magazine
Although the premise of Goin' South is clever, the story is unbelievable and, under Nicholson's first grip as a director, is unwieldy and directionless. The tale is presented in disjointed, confusing, poorly set sequences. Nicholson the actor is mildly amusing, as are some of his riotous gang members, DeVito and Belushi (the latter appearing only briefly, irrespective of his high billing). But the whole film deteriorates midway into amateurish mugging and slapstick. - 40
Washington Post
Jack Nicholson set out to make himself a Treasure of Sierra Madre, but since he is both the director and star of what he came up with no one apparently told him that Goin' South isn't it. [13 Oct 1978, p.22]
