Private Lessons

    Private Lessons
    1981

    Synopsis

    Phillip Filmore is a naive, 15-year-old, preoccupied with sex, who develops a crush on Nicole Mallow, the new 30-something, French housekeeper and sitter to look after him when Phillip's father is out of town for the summer on a "business" trip. But Mr. Filmore's unscrupulous chauffeur, Lester Lewis, takes advantage of Phillip's crush on Nicole to hire her to seduce the youth, then draws her into a plot to fake her own death in a blackmail scheme aimed to drain Phillip's trust fund.

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    Cast

    • Sylvia KristelMallow
    • Howard HessemanLester
    • Eric BrownPhilly
    • Patrick PiccininniSherman
    • Ed Begley Jr.Jack Travis
    • Pamela Jean BryantJoyce
    • Meridith BaerMiss Phipps
    • Ron FosterFillmore
    • Peter ElblingWaiter
    • Beans MoroccoGreen

    Recommendations

    • 60

      Variety

      Dan Greenburg’s script from his own novel [philly] is very effective in presenting an innocent youth’s point-of-view confronted with the sexual stimuli that pervade modern society. Inability to flesh out this central notion into a feature-length screenplay is a pity, but Private Lessons should satisfy general audiences with its diversions of frequent nudity, softcore sex, dominant rock music score and gags.
    • 50

      The New York Times

      Private Lessons is soft core -breasts, garter belts, heavy panting -with a touch of Walt Disney. There is a comic car chase, a funny fat boy and lots of California sunshine. After all, the film, which is based on ''Philly,'' a novel by Dan Greenburg, is supposed to be a comedy. Maybe this is another first, the old porn updated for the new consumer society.
    • 30

      Time Out

      This particular wet dream is wrapped in a vacuous blackmail plot (which enables the young hero to fantasise that he's f.cked Sylvia to death, and her to reveal her heart of gold) and padded with lots of horrible Adult Oriented Rock (Clapton, Rod Stewart, etc).
    • 30

      Washington Post

      The setup is so conducive to hedonistic wish-fulfillment that it's a pity writer Dan Greenburg and director Alan Myerson lacked the wit to capitalize on it. [20 Nov 1981, p.C3]
    • 25

      TV Guide Magazine

      Audiences flocked to see Kristel bare it all in an R-rated film, but "stunt" double Judy Heldon actually does the dirty work.

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