Dead Men Don't Wear Plaid

    Dead Men Don't Wear Plaid
    1982

    Synopsis

    Juliet Forrest is convinced that the reported death of her father in a mountain car crash was no accident. Her father was a prominent cheese scientist working on a secret recipe. To prove it was murder, she enlists the services of private eye Rigby Reardon. He finds a slip of paper containing a list of people who are 'The Friends and Enemies of Carlotta'.

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    Cast

    • Steve MartinRigby Reardon
    • Rachel WardJuliet Forrest
    • Alan Ladd(in "This Gun For Hire") (archive footage)
    • Carl ReinerJuliet's Butler / Field Marshal Wilfried von Kluck
    • Barbara Stanwyck(in "Sorry - Wrong Number") (archive footage)
    • Ray Milland(in "The Lost Weekend") (archive footage)
    • Ava Gardner(in "The Killers" / "The Bribe") (archive footage)
    • Burt Lancaster(in "The Killers") (archive footage)
    • Humphrey Bogart(in "The Big Sleep" / "In a Lonely Place" / "Dark Passage") (archive footage)
    • Cary Grant(in "Suspicion") (archive footage)

    Recommendations

    • 100

      TV Guide Magazine

      A consistently hilarious parody of the noir and detective genres, expertly blending classic archival footage with the action.
    • 91

      Entertainment Weekly

      The vintage footage is seamlessly integrated into the action, and the end result is both very funny and very true to the conventions of the detective movie.
    • 89

      Austin Chronicle

      Martin's inner giddiness makes Dead Men Don't Wear Plaid a classic. This loose film is more than a spoof of the hard-boiled noir of the Forties and Fifties; it is a tribute to the wonderful memories these films created in a generation.
    • 80

      The New York Times

      A genial, gently mocking, brilliantly executed spoof that may offend the purists but which should delight the buffs.
    • 80

      Empire

      The technique used here to plonk Martin in classic movies seems out of place given the kind of sophisticated effects we have on tap today, but there is a real sense of fun at work nonetheless.
    • 70

      Variety

      Film is most engaging in its romantic sparring between Martin and his gorgeous client, Ward.
    • 70

      Time Out

      Some amusement is derived from watching a film that so obviously had to be worked out backwards. The bits in between feature likeable Martin as a keen but clumsy detective - with all the good lines, which is no bad thing because he's the best part of this fairly amusing, clever exercise in editing.
    • 60

      Chicago Reader

      Carl Reiner comedy whose technical execution (Michael Chapman's cinematography is masterful) is better than its script.

    Seen by

    • MARTIN
    • Antihero