Smithereens

    Smithereens
    1982

    Synopsis

    A narcissistic runaway engages in a number of parasitic relationships amongst members of New York's waning punk scene.

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    Cast

    • Susan BermanWren
    • Brad RijnPaul
    • Richard HellEric
    • Nada DespotovichCecile
    • Roger JettBilly (Eric's Roommate)
    • Kitty SummerallEric's Wife
    • Joni Ruth WhiteLandlady
    • D.J. O'NeillEd
    • Joel RooksXerox Boss
    • Pamela SpeedTerry

    Recommendations

    • 88

      Slant Magazine

      It's as unsparing a sketch of twentysomething life in New York City as American independent cinema has yet offered.
    • 88

      Slant Magazine

      Much more than a punk artifact, Smithereens is a landmark that showcases how the urge of self-creation and the seduction of reveling in self-destruction dance side by side.
    • 80

      CineVue

      The grimy, crime-ridden cesspool of New York in the 1970s and early 1980s is a well-worn cinematic setting, but in her debut 1982 feature Smithereens, indie director Susan Seidelman used guerilla filmmaking techniques and a faux-documentary style to unearth the vitality and the verve of urban life at the bottom.
    • 80

      Time Out

      This debut feature from Seidelman (ex-New York Film School) may be small and unambitious, but its old tale of the little girl lost in the city is told with energy and verve. Seidelman's sure feeling for the squalor and glamour of urban decay, and her speedy, stylish editing, combine with a pulsating soundtrack from The Feelies to create a febrile sense of Lower Manhattan street life: fast living on a permanent adrenalin high.
    • 70

      The New York Times

      Eventually, it becomes clear that neither Wren nor the movie is going anywhere, since the character never becomes any more thoughtful or less selfish than she was to begin with, and since her bouncing between Paul and Eric has become both predictable and strained. But before it runs out of steam, Smithereens is ragged, funny and eccentric. It has as much life as the indefatigable Wren, and that's plenty.
    • 63

      Miami Herald

      It's good work in aid of very little. Smithereens is often fascinating, but it is never satisfying. And by the end, when Wren seems about to be billed for her sins, it's hard to care much one way or another. [28 May 1983, p.D7]
    • 50

      TV Guide Magazine

      Though SMITHEREENS is not without its problems--much of the material seems to be cliched--it is a good display of what a persistent creative drive can achieve.

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