The King of Comedy

    The King of Comedy
    1982

    Synopsis

    Aspiring comic Rupert Pupkin attempts to achieve success in show business by stalking his idol, a late night talk-show host who craves his own privacy.

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    Cast

    • Robert De NiroRupert Pupkin
    • Jerry LewisJerry Langford
    • Sandra BernhardMasha
    • Diahnne AbbottRita Keane
    • Shelley HackCathy Long
    • Frederick de CordovaBert Thomas
    • Kim ChanJonno
    • Ed HerlihyHimself
    • Lou BrownBand Leader
    • Margo WinklerReceptionist

    Recommendations

    • 100

      TV Guide Magazine

      De Niro gives a miraculous character performance, much different from the intense brooding loners for which he is renowned. He seems to disappear into this oddball, somewhat repulsive, but ultimately rather touching character. Sandra Bernhard, in her film debut, is nearly as memorable as Rupert's outrageous partner in crime.
    • 100

      The Telegraph

      This film about the cult of celebrity in America strikes me as a uniquely intelligent ironic masterpiece – though, witty as it is, it isn’t a comedy, despite what the title and the casting of Jerry Lewis might lead you to expect.
    • 90

      Village Voice

      The King of Comedy, which Film Forum is presenting in a new 4K restoration for a week-long run, brilliantly keeps viewers unmoored, the result of its consistently off-kilter tone. Though filled with sight gags and corny jokes, the movie is also darkened by genuine menace.
    • 90

      The New Yorker

      Scorsese infuses this tale with the passionate energy of New York street life and wonder at the powerful workings of show business and studio craft. Yet his main subject is the ineffable factor of genius, which Jerry has, Rupert lacks, and no desire or effort can replace.
    • 90

      The New York Times

      It would be difficult to describe Martin Scorsese's fine new film, The King of Comedy, as an absolute joy. It's very funny, and it ends on a high note that was, for me, both a total surprise and completely satisfying. Yet it's also bristly, sometimes manic to the edge of lunacy and, along the way, terrifying.
    • 75

      Chicago Sun-Times

      The King of Comedy is not, you may already have guessed, a fun movie. It is also not a bad movie. It is frustrating to watch, unpleasant to remember, and, in its own way, quite effective.
    • 70

      Chicago Reader

      You feel for the first time that Scorsese is trying to distance himself from his characters—that he finds them grotesque. The uncenteredness of the film is irritating, though it's irritating in an ambitious, risk-taking way. You'd better see for yourself.
    • 60

      Empire

      Scorses's skill as a scene-maker are fully evident and Lewis' quietly rageful performance offers to out-do De Niro in intensity, but neither funny enough to be an effective black comedy nor scary enough to capitalise on its thriller/horror elements, The King Of Comedy sits awkwardly between the two.

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