Without a Trace

    Without a Trace
    1983

    Synopsis

    English professor Susan Selky lives alone in a Brooklyn apartment with her young son, Alex. When Alex fails to return home from school one afternoon, a frantic Selky contacts the police. Detective Al Menetti, a father himself, takes an interest in the case that quickly turns into an obsession. As a devastated Selky struggles to come to terms with Alex's disappearance, Menetti steps out from behind the badge to continue investigating.

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    Cast

    • Kate NelliganSusan Selky
    • Judd HirschAl Menetti
    • David DukesGraham Selky
    • Stockard ChanningJocelyn Norris
    • Jacqueline BrookesMargaret Mayo
    • Keith McDermottPhilippe
    • Kathleen WiddoesMs. Hauser
    • Danny CorkillAlex Selky
    • Cheryl GianniniPat Menetti
    • David SimonEugene Menetti

    Recommendations

    • 88

      Miami Herald

      This is a movie that didn't have to be well made --its emotional impact has been assured by the daily news. But Jaffe took care. He made a solid Hollywood movie of a story that is terribly sad. He plays the heartstrings like a virtuoso, and that's not always a bad thing. [07 Feb 1983, p.C6]
    • 75

      The Associated Press

      As producer of Goodbye Columbus and Kramer vs. Kramer, Stanley Jaffe has proved his understanding of human relationships. As a first-time director, he seems overly attentive to everyday detail. But he handles his actors with skill, evoking a beautifully sustained performance from Kate Nelligan as the mother who would not abandon hope. [07 Feb 1983]
    • 70

      Newsweek

      What makes Without a Trace important is the powerful, intelligent, seismic-sensitive performance of Kate Nelligan as Alex's mother. Nelligan literally creates the film's real theme -- the nightmare emotional world the victims of such crimes are plunged into. [07 Feb 1983, p.69]
    • 60

      The New York Times

      Taken on its own terms, Without a Trace is a reasonably well made film, and it's certainly slick enough to hold an audience's attention. But its own terms are very, very limited.
    • 50

      Time Out

      If Jaffe's previous production credits aren't sufficient warning that this is one for Sensitive Drama suckers, the opening shot's a giveaway.
    • 50

      TV Guide Magazine

      The story is told with uncharacteristic restraint and benefits from fine performances by Nelligan and Hirsch.
    • 50

      Washington Post

      Without a Trace provides little sustenance. It keeps serving up overprepared tidbits of torment when you'd prefer to get down to a main course. [04 Feb 1983, p.C4]
    • 50

      Christian Science Monitor

      A schematic, often contrived look at an important subject. [17 Feb 1983, p.19]