Ziggy Stardust and the Spiders from Mars

    Ziggy Stardust and the Spiders from Mars
    1983

    Synopsis

    Hammersmith Odeon, London, July 3, 1973. British singer David Bowie performs his alter ego Ziggy Stardust for the very last time. A decadent show, a hallucinogenic collage of kitsch, pop irony and flamboyant excess: a musical symbiosis of feminine passion and masculine dominance that defines Bowie's art and the glam rock genre.

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    Cast

    • David BowieSelf / Ziggy Stardust
    • Mick RonsonSelf - Musician
    • Trevor BolderSelf - Musician
    • Mick WoodmanseySelf - Musician
    • Ken FordhamSelf - Musician
    • Brian WilshawSelf - Musician
    • Geoffrey MacCormackSelf - Musician
    • John HutchinsonSelf - Musician
    • Mike GarsonSelf - Musician
    • Angela BowieSelf (uncredited)

    Recommendations

    • 90

      Los Angeles Times

      An excellent example of its genre, with Pennebaker capturing the excitement of what was a very special, emotion-charged occasion.
    • 88

      Boston Globe

      It is Bowie's alter ego as the androgynous Martian rock star that remains, 30 years later, his most enduring artistic achievement.
    • 75

      New York Daily News

      A rare window into the apparatus and limitations of glam-rock.
    • 63

      The Globe and Mail (Toronto)

      Musically, it's a mixed bag -- The concert remains more of an historical curiosity than a must-see rock film.
    • 60

      Film Threat

      Being released at the same time that Bowie's latest album "Heathen" is being unveiled. Bowie fans who need a reason to celebrate the trajectory of the artist's career can make use of this cinematic Alpha and CD Omega.
    • 60

      Washington Post

      For the first time in 30 years, Ziggy Stardust and the Spiders From Mars appear on the movie screen as Pennebaker intended. It's almost worth the wait.
    • 50

      Portland Oregonian

      Passingly engaging. But you emerge from the film knowing as much -- or, indeed, as little -- as when you went in, and that's not exactly what documentary filmmaking is all about.
    • 50

      TV Guide Magazine

      As a document of the ever-mutable musician's signature persona, a wraithlike androgyne with a head full of apocalyptic dreams, it's fascinating.

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