The Flamingo Kid

    The Flamingo Kid
    1984

    Synopsis

    Brooklyn teenager Jeffrey Willis, thoroughly unhappy with his modest homestead, embraces the other-world aspects of his summer job at the posh Flamingo Club. He spurns his father in favor of the patronage of smooth-talking Phil Brody and is seduced by the ample bikini charms of club member Carla Samson. But thanks to a couple of late-summer hard lessons, the teen eventually realizes that family should always come first.

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    Cast

    • Matt DillonJeffrey Willis
    • Hector ElizondoArthur Willis
    • Molly McCarthyRuth Willis
    • Martha GehmanNikki Willis
    • Richard CrennaPhil Brody
    • Jessica WalterPhyllis Brody
    • Carole DavisJoyce Brody
    • Janet JonesCarla Samson
    • Brian McNamaraSteve Dawkins
    • Fisher StevensHawk Ganz

    Recommendations

    • 88

      Chicago Sun-Times

      Dillon has the kind of acting intelligence that allows him to play each scene for no more than that particular scene is really about; he's not trying to summarize the message in every speech. That gives him an ease, an ability to play the teenage hero as if every day were a whole summer long.
    • 75

      TV Guide Magazine

      There's not a single bad performance here, and director Marshall wisely builds his film on small moments, realized with sympathy and intelligence.
    • 75

      Miami Herald

      There's always something happening at the edges of The Flamingo Kid. And unexpectedly, considering the genre, there's something happening at the center, too. [21 Dec 1984, p.D1]
    • 75

      The Associated Press

      The over-35 audience will savor this as a nostalgia trip while younger audiences may identify with the always current dilemma of impending adulthood. [03 Jan 1985]
    • 70

      The New York Times

      Even if The Flamingo Kid comes out of sit-com country, the character and the performance effortlessly rise above their origins.
    • 70

      Time Out

      Hardly original stuff, and morally the film wants to have its cake and eat it, celebrating working-class simplicity while revelling in the luxuriance of beach club life. But the performances compensate, with Dillon turning in a light and touching portrait of confused ambitions.
    • 70

      Variety

      Dillon does a good job in his fullest, least narcissistic characterization to date.
    • 70

      Washington Post

      The performances make up for the sloppy history in the film, and it's a good-hearted and diverting story. [21 Dec 1984, p.29]