The Hit

    The Hit
    1984

    Synopsis

    Ten years after ratting on his old mobster friends in exchange for personal immunity, two hit men drive a hardened criminal to Paris for his execution. However, while on the way, whatever can go wrong, does go wrong.

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    Cast

    • John HurtBraddock
    • Terence StampWillie Parker
    • Tim RothMyron
    • Laura del SolMaggie
    • Bill HunterHarry
    • Fernando ReyPoliceman
    • Jim BroadbentBarrister
    • Lennie PetersMr. Corrigan
    • Bernie SearleHopwood
    • Brian RoyalFellows

    Recommendations

    • 91

      The A.V. Club

      The script by Peter Prince occasionally errs too much on the side of opacity, but the few revelations that do come are deftly handled. It’s a meditation on death, and in the end, it belongs to Hurt.
    • 90

      Los Angeles Times

      The Hit is something special: thoughtful, perfectly performed and carrying the clear stamp of an extremely interesting director.
    • 90

      Variety

      Frears and writer Peter Prince have taken a potentially familiar tale of a gangland betrayal and revenge and made something richly inventive and most entertaining.
    • 90

      Washington Post

      A dexterously balanced killer thriller by the idiosyncratic Frears, whose every scene becomes a matter of life and death.
    • 88

      Miami Herald

      Frears displays a complete mastery of the mechanics of a thriller, such that his movie is terrifying even when it pauses for breath. [08 Feb 1985, p.D8]
    • 75

      TV Guide Magazine

      An offbeat, existential crime drama buoyed by fine performances; nicely turned dialogue; and an evocative soundtrack and theme song from Paco di Lucia and Eric Clapton, respectively.
    • 75

      The Globe and Mail (Toronto)

      Eventually, the film, shot on location in Spain by a director with an innate understanding of how to stylize without becoming self-conscious, asks to be seen as a comic but moving meditation on the ways we do, or do not, go gently into that good night. [05 Apr 1985]
    • 70

      Time Out

      Hurt is in good vicious form as the shaded hit man; Stamp once more wears a smile like a halo; and the prospect of approaching death is handled without too much metaphysical puffing and blowing. All in all, a very palpable hit.