Stop Making Sense

    Stop Making Sense
    1984

    Synopsis

    A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album "Speaking in Tongues." The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.

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    Cast

    • David ByrneSelf - Vocals, Guitar
    • Chris FrantzSelf - Drums, Vocals
    • Jerry HarrisonSelf - Guitar, Keyboards, Vocals
    • Tina WeymouthSelf - Bass, Percussion, Vocals
    • Ednah HoltSelf - Backing Vocals
    • Lynn MabrySelf - Backing Vocals
    • Steven ScalesSelf - Percussion
    • Alex WeirSelf - Guitar, Vocals
    • Bernie WorrellSelf - Keyboards

    Recommendations

    • 100

      TV Guide Magazine

      By common consensus, Stop Making Sense is the best concert film ever made.
    • 100

      San Francisco Chronicle

      Has there ever been a live concert film as vibrant or as brilliantly realized? I don't think so. [Review of re-release]
    • 100

      San Francisco Examiner

      Part aerobics workout, part self-styled dreamscape, Sense is a hyperactive piece of performance art that begins as the stripped-down dress rehearsal of a garage band and builds into a mighty, exhausting spectacle that shakes as much ass as it kicks. [Review of re-release]
    • 90

      The New York Times

      Mr. Demme has captured both the look and the spirit of this live performance with a daring and precision that match the group's own.
    • 90

      Time

      It could as well be called Best Thing of Undetermined Species.
    • 90

      Salon

      Stop Making Sense is so beautifully choreographed that in some ways it's more like theater than a rock show. [Review of re-release]
    • 88

      Chicago Sun-Times

      Starting with Mick Jagger, rock concerts have become, for the performers, as much sporting events as musical and theatrical performances. Stop Making Sense understands that with great exuberance.
    • 80

      Chicago Reader

      It's 88 minutes of solid, inventive music, filmed in a straightforward manner that neither deifies the performers nor encourages an illusory intimacy, but presents the musicians simply as people doing their job and enjoying it.

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    • beatriz
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