The Coca-Cola Kid

    The Coca-Cola Kid
    1985

    Synopsis

    An eccentric marketing guru visits a Coca-Cola subsidiary in Australia to try and increase market penetration. He finds zero penetration in a valley owned by an old man who makes his own soft drinks, and visits the valley to see why. After "the Kid's" persistence is tested he's given a tour of the man's plant, and they begin talking of a joint venture. Things get more complicated when the Coca-Cola man begins falling in love with his temporary secretary, who seems to have connections to the valley.

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    Cast

    • Eric RobertsBecker
    • Greta ScacchiTerri
    • Bill KerrT. George McDowell
    • Chris HaywoodKim
    • Kris McQuadeJuliana
    • Max GilliesFrank Hunter
    • Tony BarryBushman
    • Paul ChubbFred
    • David SlingsbyWaiter
    • Colleen CliffordMrs. Haversham

    Recommendations

    • 80

      Los Angeles Times

      A dippy, joyous meander of a movie, more than a little messy but abundantly rewarding.
    • 75

      Chicago Sun-Times

      The movie has so many other delights, though, that it's fun anyway. Maybe it wasn't exactly intended to be a love story.
    • 75

      Chicago Tribune

      It ambles along gracefully, picking up points for subtle detail; but its conventions belong to light comedy, and they overwhelm most of the complexities the director has devised.
    • 60

      The New York Times

      The Coca-Cola Kid is of more interest for these oddball peripheral touches than for its awkward attempts at satire.
    • 60

      Variety

      The mix of earthy symbolism, offbeat eroticism, the picaresque and the rough-and-tumble social, rather unpolitical satire now seems poured from a bottle that has been left uncapped overnight.
    • 60

      TV Guide Magazine

      This is far from Makavejev's finest work (WR: MYSTERIES OF THE ORGANISM and SWEET MOVIE are much more challenging), but it is the film that has spread the director's political message to the widest audience.
    • 50

      Chicago Reader

      Makavejev's ripping political/scatological wit isn't much in evidence, and the long middle section—involving Roberts's efforts to close down independent bottler Bill Kerr—is soggy and too familiar, but the film lives in a hundred different eccentric details and niceties of execution.
    • 50

      Washington Post

      It claims to offer a new formula for comedy, but a lot of filmgoers will probably prefer the classic kind. [30 Aug 1985, p.N23]