At Close Range

    At Close Range
    1986

    Synopsis

    Brad Whitewood Jr. lives in rural Pennsylvania and has few prospects. Against his mother's wishes, he seeks out his estranged father, the head of a gang of thieves in a nearby town. Though his new girlfriend supports his criminal ambitions, Brad Jr. soon learns that his father is a dangerous man. Inspired by the real events that led to the end of the Johnston Gang, who operated in the northeastern United States in the 1970s.

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    Cast

    • Sean PennBradford "Brad" Whitewood Jr.
    • Christopher WalkenBradford "Brad" Whitewood Sr.
    • Mary Stuart MastersonTerry
    • Chris PennThomas "Tommy" Whitewood
    • Millie PerkinsJulie
    • Eileen RyanGrandma
    • Tracey WalterUncle Patch Whitewood
    • David StrathairnTony Pine
    • J.C. QuinnBoyd
    • Candy ClarkMary Sue

    Recommendations

    • 88

      Chicago Sun-Times

      Because this film is violent and cruel and very sad, why would you want to see it? For a couple of reasons, perhaps. One might be to watch two great actors, Penn and Walken, at the top of their forms in roles that give them a lot to work with. Another might be to witness some of the dynamics of a criminal society, some of the forces that push criminals further than they intend to go.
    • 80

      Variety

      Audiences will respond to the very strong performances of the two leads, especially Walken in one of his best roles.
    • 80

      Newsweek

      At times veering toward the portentous, the film nonetheless has the relentless rhythm of a juggernaut. The acting is first-rate American realism -- gutsy, funny and scary as the occasion demands. [09 June 1986, p.79]
    • 75

      TV Guide Magazine

      Relentlessly grim, At Close Range offers a frightening glimpse at the dark side of American life and poses disturbing questions about family ties. Unfortunately, although director James Foley handles the performances with skill, he also indulges in too many flashy directorial pyrotechnics, muting the emotional impact.
    • 63

      Chicago Tribune

      At Close Range is impeccably photographed, and its other technical credits are fine, too. But this excellence serves a dubious, confused cause, and on that basis the film cannot be recommended.
    • 60

      The New York Times

      At Close Range is never boring. There's something bold about the film's wealth of imagery, but it also so overstates the material of the screenplay that it eventually annihilates both it and the story, which might possibly have been moving and terrifying. This just looks like fancy movie making.
    • 60

      Empire

      Engaging performances by Penn and Walken can’t quite turn this brutal curio into something more substantial.
    • 60

      Los Angeles Times

      If ever a movie needed a modest, straight-ahead style to its telling, it's this one. And while James Foley's direction (and strong, iconoclastic casting) has resulted in a handful of indelible performances, he can't get out of his own way when it comes to how he tells his story.

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