Synopsis
Federico Fellini welcomes us into his world of film making with a mockumentary about his life in film, as a Japanese film crew follows him around.
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Cast
- Sergio RubiniIl Giornalista
- Antonella PonzianiLa Ragazza del Tram
- Maurizio MeinL'Aiuto Regista
- Paola LiguoriLa Diva
- Lara WendelLa Sposa
- Antonio CantaforaLo Sposo
- Nadia OttavianiLa Vestale
- Anita EkbergAnita Ekberg
- Marcello MastroianniMarcello Mastroianni
- Maria Teresa BattagliaRecruited Actress at the Train Station
Recommendations
- 100
Boston Globe
It's a relief that when Fellini decided to sum up his career, he still had enough left to do it so wittily, jauntily and with such expansiveness of spirit. Lovely stuff, just lovely. [19 Feb 1993, p.30] - 100
Chicago Tribune
While Intervista will appeal mostly to the dedicated cineaste who can appreciate its many inside jokes, Fellini displays such a ravishing range of technique and assurance that even more casual moviegoers must view this film with awe. [26 Mar 1993, p.J] - 100
Slant Magazine
Here, Fellini effortlessly weaves together various registers, aesthetic and otherwise, continually undercutting whatever level of “reality” seems to be in front of the camera(s) at any given time. - 100
Boston Globe
It's a relief that when Fellini decided to sum up his career, he still had enough left to do it so wittily, jauntily and with such expansiveness of spirit. Lovely stuff, just lovely. [19 Feb 1993, p.30] - 100
Chicago Tribune
While Intervista will appeal mostly to the dedicated cineaste who can appreciate its many inside jokes, Fellini displays such a ravishing range of technique and assurance that even more casual moviegoers must view this film with awe. [26 Mar 1993, p.J] - 100
Slant Magazine
Here, Fellini effortlessly weaves together various registers, aesthetic and otherwise, continually undercutting whatever level of “reality” seems to be in front of the camera(s) at any given time. - 91
Entertainment Weekly
Sublime moments encounter clunkiness and bad overdubbing until it’s hard to know what’s on purpose, but you certainly envy the Fellini family/crew their experiences in service of a man who so appreciated his life’s pursuit (or what he called ”this alibi”). - 91
Entertainment Weekly
Sublime moments encounter clunkiness and bad overdubbing until it’s hard to know what’s on purpose, but you certainly envy the Fellini family/crew their experiences in service of a man who so appreciated his life’s pursuit (or what he called ”this alibi”).
