Synopsis
Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.
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Cast
- Chris CooperJoe Kenehan
- James Earl Jones'Few Clothes' Johnson
- Mary McDonnellElma Radnor
- Will OldhamDanny Radnor
- David StrathairnPolice Chief Sid Hatfield
- Ken JenkinsSephus Purcell
- Kevin TigheHickey
- Gordon ClappGriggs
- Bob GuntonC.E. Lively
- Jace AlexanderHilllard Elkins
- 100
TV Guide Magazine
Matewan is beautifully shot, and there is not a weak performance in the film. Jones is a tower of dignity; Cooper is the epitome of quiet strength; and Oldham glows with the passion of a zealot, first for God, then for the union. - 90
The New York Times
There's not a weak performance in the film, but I especially admired the work of Mr. Cooper, Mr. Tighe, Miss McDonnell, Miss Mette, Mr. Gunton, Mr. Strathairn and Mr. Mostel. They may be playing Social-Realist icons, but each manages to make something personal and idiosyncratic out of the material, without destroying the ballad-like style. - 88
Washington Post
Add uniformly good acting to Sayles' script of dark coal pits, West Virginia spirit and cowboyish melodrama and you have stirring cinema. - 80
Time Out
It possesses a mythic clarity, yet there's also a welcome complexity at work, in the vivid characterisations and the unsentimental celebration of community and collective action. The result is witty, astute, and finally very moving. - 75
Chicago Reader
If Sayles's bite were as lethal as his bark, he might have given this a harder edge and a stronger conclusion. But the performances are uniformly fine. - 70
Variety
Matewan is a heartfelt, straight-ahead tale of labor organizing in the coal mines of West Virginia in 1920 that runs its course like a train coming down the track. - 63
Chicago Tribune
John Sayles has directed an authentic looking and sounding film, featuring cinematography by the great Haskell Wexler. [02 Oct 1987, p.A] - 60
Time
With his round, ruddy face, Tighe always seems on the verge of derisive laughter or flash-fisted rage; it's enjoyable guessing which fever will surface first. The rest of the movie is less entertaining, a righteous homily without the grits.