Some Kind of Wonderful

    Some Kind of Wonderful
    1987

    Synopsis

    A young tomboy, Watts, finds her feelings for her best friend, Keith, run deeper than just friendship when he gets a date with the most popular girl in school.

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    Cast

    • Eric StoltzKeith Nelson
    • Mary Stuart MastersonWatts
    • Lea ThompsonAmanda Jones
    • Chynna PhillipsMia
    • Craig ShefferHardy Jenns
    • John AshtonCliff Nelson
    • Elias KoteasSkinhead
    • Maddie CormanLaura Nelson
    • Molly HaganShayne
    • Bryan ScottParty Guest

    Recommendations

    • 80

      Variety

      A simple, lovely and thoughtful teenage story that occasionally shines due to fine characterizations and lucid dialog.
    • 80

      The New York Times

      It has a light touch, a disarming cast, a well-developed sense of humor and a lot of charm. [27 Feb 1987, p.C17]
    • 75

      Rolling Stone

      A hand-me-down cast? Far from it. Masterson and Stoltz possess talent and charm to spare... Wonderful aspires to be little more than the hot-and- happening teen flick of the moment. At that it succeeds.
    • 75

      San Francisco Chronicle

      This is kid stuff, but such well acted, well made stuff that inside 15 minutes you're sitting there like a teenager yourself wondering which girl Keith will wind up with. [27 Feb 1987]
    • 75

      Chicago Sun-Times

      It is not about whether the hero will get the girl. It is about whether the hero should get the girl, and when was the last time you saw a movie that even knew that could be the question?
    • 60

      TV Guide Magazine

      Stoltz turns in a restrained, realistic performance, and Thompson is quite good in what could easily have become a thankless role. But far and away, this is Masterson's film. An amazingly mature young actress, Masterson skillfully brings subtlety, depth, and nuance to her character.
    • 60

      Washington Post

      It's Masterson who dominates Some Kind of Wonderful. Like her energy, Masterson's beauty is kinetic, internalized, and she's a winner even if the film itself runs third in the Hughes opus on teenhood.
    • 50

      Chicago Tribune

      It's Mary Stuart Masterson, bringing a depth and tenacity to her role that nowhere appears in the screenplay, who leaves the lasting impression. She escapes the airiness of Hughes's vision to establish something like a human being. [22 Feb 1987]

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    • ramblingsinkey
    • jessicaborges