Throw Momma from the Train

    Throw Momma from the Train
    1987

    Synopsis

    Larry Donner, an author with a cruel ex-wife, teaches a writing workshop in which one of his students, Owen, is fed up with his domineering mother. When Owen watches a Hitchcock classic that seems to mirror his own life, he decides to put the movie's plot into action and offers to kill Larry's ex-wife, if Larry promises to murder his mom. Before Larry gets a chance to react to the plan, it seems that Owen has already set things in motion.

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    Cast

    • Danny DeVitoOwen / Ned 'Little Ned' Lift
    • Billy CrystalLarry Donner
    • Kim GreistBeth Ryan
    • Anne RamseyMrs. Lift
    • Kate MulgrewMargaret
    • Branford MarsalisLester
    • Rob ReinerJoel
    • Bruce KirbyDeBenedetto
    • Annie RossMrs. Hazeltine
    • Oprah WinfreyHerself

    Recommendations

    • 90

      The New York Times

      As Owen, Mr. DeVito is such an odd combination of the childlike and the diabolical that he remains a captivating figure throughout the story. Mr. DeVito's comic timing is particularly enjoyable, since he has such a slow, steady, deliberate way of building up to outrageous behavior.
    • 90

      Variety

      A fun and delightfully venal comedy. Very clever and engaging from beginning to end.
    • 80

      Los Angeles Times

      Throw Momma is another Hitchcock pastiche or parody, but--taken from Stu Silver's coldly clever, verbally intricate script--it has more depth and humor than usual.
    • 60

      Time Out

      A lively black comedy, surprisingly stylishly directed by DeVito (his début), it thankfully soft-pedals on the hysteria front to concentrate on verbal non-sequiturs and quirky characterisation. If it all gets a little soft-centred towards the end, there's more than enough vitality and invention to be going on with.
    • 50

      Chicago Sun-Times

      The plot in Throw Mama from the Train is top-heavy, but the movie doesn't make as much as it could from its weird characters.
    • 50

      TV Guide Magazine

      A surprisingly assured directorial debut that is hampered only by a weak script.
    • 50

      Chicago Tribune

      A comedy with a curious tone of depressive whimsy. It manages, somehow, to be both aggressively cute and oppressively sordid. [11 Dec 1987, p.G]
    • 40

      Empire

      Always a spoof rather than a homage, this comedy soon realises there's only so many laughs you can plunder from the heavy premise and the repetitive carriages.

    Seen by

    • Ninjula