Synopsis
After Charles Forsyth was sent to the electric chair for a crime he didn't commit, he forever haunts the prison where he was executed. Flash forward several years when the prison is reopened, under the control of its new warden Eaton Sharpe, a former security guard who framed Charlie. When prisoners are ordered to break down the wall to the execution room, they unknowingly release the angry spirit of Charles Forsyth, a powerful being distributing his murderous rage to all, leading up to the Warden himself.
Your Movie Library
Cast
- Viggo MortensenBurke / Forsythe Electrocution
- Chelsea FieldKatherine Walker
- Lane SmithWarden Eaton Sharpe
- Lincoln KilpatrickCresus
- Tom EverettRabbitt
- Ivan KaneLasagna
- André De ShieldsSandor
- Tommy Lister Jr.Tiny
- Stephen E. Little'Rhino' Reynolds
- Mickey YablansBrian Young
Recommendations
- 70
Washington Post
A thoroughly credible hybrid of the prison film and the supernatural, it has plenty of shocks, of course, but also an actual story. What makes it work here is the skill and energy of a young director, Renny Harlin, and a surprisingly decent ensemble. - 70
Time Out London
With an assured visual style, Harlin stokes up the temperature to near-riot conditions before exploding the screen with electrifying special effects mayhem - floors glow red hot, barbed wire is vivified, the very pipes take on murderous life. A tough, entertaining, intelligent hybrid of hard-ass prison drama and horror-shocker exploiter. - 60
Variety
Starring as the prison in this rough penal pic with its special effects-laden horror story is the 87-year-old Wyoming State Penitentiary, which has attracted tourists rather than cons since 1981. The structure takes on all the menace of the house in Amityville Horror or hotel in The Shining. - 50
TV Guide Magazine
An intriguing genre hybrid boasting a stronger than usual cast and excellent, atmospheric direction from Finnish newcomer Renny Harlin, Prison is an impressive piece of low-budget genre work. - 50
Los Angeles Times
Technically, and on a performance level, Prison earns time off for good behavior. However, the story feels as if it was conceived by someone working with an expired artistic license. [24 May 1988, p.8] - 20
The New York Times
Prison has a generic, low-budget name, and for once you can judge a movie by its title. This prison-drama-meets-ghost-story turns out to be an object lesson in how cheaply and badly a film can be made.
