The Unbearable Lightness of Being

3.00
    The Unbearable Lightness of Being
    1988

    Synopsis

    Successful surgeon Tomas leaves Prague for an operation, meets a young photographer named Tereza, and brings her back with him. Tereza is surprised to learn that Tomas is already having an affair with the bohemian Sabina, but when the Soviet invasion occurs, all three flee to Switzerland. Sabina begins an affair, Tom continues womanizing, and Tereza, disgusted, returns to Czechoslovakia. Realizing his mistake, Tomas decides to chase after her.

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    Cast

    • Daniel Day-LewisTomas
    • Juliette BinocheTereza
    • Lena OlinSabina
    • Derek de LintFranz
    • Stellan SkarsgårdThe Engineer
    • Erland JosephsonThe Ambassador
    • Pavel LandovskýPavel
    • Donald MoffatChief Surgeon
    • Daniel OlbrychskiInterior Ministry Official
    • Tomasz BorkowyJiri

    Recommendations

    • 100

      Chicago Sun-Times

      There is a lot of nudity in the film but no pornographic documentary quality; the camera does not linger, or move for the best view, or relish the spectacle of nudity. The result is some of the most poignant, almost sad, sex scenes I have ever seen - sensuous, yes, but bittersweet.
    • 100

      The A.V. Club

      In three short scenes, this otherwise linear film unexpectedly slips loose from time, portraying a joyous moment, a tragic revelation, and then a long, slow scene that holds both in the balance, letting viewers tip the scale in whichever direction their hearts incline. It's an effect that could only happen in cinema, and it's made all the more stunning by its appearance in a film taken from a by-all-logic-unfilmable book.
    • 90

      Time Out

      It's a rich, ambitious film, repetitive and voyeuristic in its eroticism, but exhilarating in its blend of documentary and fictional recreation to depict the Soviet invasion.
    • 90

      Variety

      Regarded as essentially unfilmable by many observers, so Philip Kaufman has pulled off a near-miracle in creating this richly satisfying adaptation.
    • 80

      Empire

      It’s arguably every bit as good as Stanley Kubrick’s Lolita.
    • 60

      The New York Times

      Mr. Day-Lewis, Miss Binoche and Miss Olin (who was spectacular in Ingmar Bergman's ''After the Rehearsal'') are surprisingly fine -both modest and intense as lovers whose private lives are defined by public events.
    • 60

      Los Angeles Times

      For all its real achievements, including a stomach-clutching re-creation of the Soviet invasion of Prague, and for all its uncoy acknowledgment of the power of sexuality, the film ultimately adds up to the unbearable heaviness of movie-making.
    • 60

      Chicago Reader

      But these achievements and others—including an undeniable erotic charge to some of the scenes—add up to less than the sum of their parts without a strong enough overall vision to shape them. When Kaufman reaches beyond the novel to flesh things out—with the old-fashioned musical taste of Russian officials, the sexual exploits of the hero, or the expanded part of a pet pig—he usually flattens rather than enhances what's left of the material

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