Synopsis
Chronicles three years of a middle class family seemingly caught up in their daily routines, only troubled by minor incidents. Behind their apparent calm and repetitive existence however, they are actually planning something sinister.
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Cast
- Birgit DollAnna Schober
- Dieter BernerGeorg Schober
- Leni TanzerEva Schober
- Silvia FenzOptiker Kundin
- Robert DietlGeorgs Vorgesetzter
- Georg FriedrichFault Service of the Post Office
- Udo SamelAlexander
- Elisabeth RathLehrerin
- Georges KernBank Clerk
Recommendations
- 100
The Guardian
A chilling and utterly brilliant film whose final, excoriating sequence is frankly sufficient on its own to justify the genius tag. - 100
The A.V. Club
The Seventh Continent deals with the deterioration of an average middle-class family by focusing obsessively on mundane life details. As images and actions start repeating themselves, it becomes clear to the family (and to us) that their lives are little more than a collection of routines, without joy or meaning. The conclusion they reach is better left as a surprise, but suffice to say, the third act shifts gears completely. - 100
Chicago Tribune
The Seventh Continent is a calm chronicle of hell, a clinical look at how commonplace people can erupt into despair or violence. Bleak, cool, beautifully controlled, liberatingly intelligent, it chills our hearts as it opens our minds. And it establishes Haneke as one of the more remarkable young contemporary filmmakers. - 90
Chicago Reader
Its tact and intelligence, and also its reticence and detachment, make it a shocking and potent statement about our times. - 89
Austin Chronicle
We witness no darker horrors than the roar of a car wash, yet Haneke's static, panoptic camerawork – shot alarmingly close or disquietingly afar – conveys considerable menace. - 60
The New York Times
The Seventh Continent is one of the most stylish films in this year's New Directors/New Films series. With its fragmented pattern of beautifully composed and repeated images from middle-class life, it rejuvenates a 1960's style that would seem to be exhausted by now. But the Austrian writer and director Michael Haneke pulls viewers through a good portion of the film on the sheer strength of his visual flair, avoiding the classic trap of how to create a film about boredom that is not boring. - 50
Slant Magazine
By concentration exclusively on humanity’s negativism, Haneke proves to be as damagingly reductive of life’s possibilities as the emotional malaise he sets out to expose.
